Aurora Jellyfish Parachute

Jan. 26, 2010 -- This was the view looking over the small town of Andenes, Norway, on Jan. 20. Snaking across the sky from horizon to horizon was a dynamic green aurora, signaling to the inhabitants of Earth that the sun was spraying us with an intense stream of energetic particles.

The photographer, Per-Arne Mikalsen, captured the resulting aurora using a Canon EOS 450D camera (with a Sigma 10-20mm 1:4-5.6 DC HSM lens), but it wasn't until after he took the photo that he realized that he'd captured something unexpected in his lens.

After communicating with Norwegian aurora expert Truls Lynne Hansen of the Tromsø Geophysical Observatory, compelling evidence that the green structure hidden in the top right of the photograph could be a reflection (or 'flare') from a satellite flying hundreds of miles above the intense aurora.

"...the color of the 'phenomenon' is the same as the color in the aurora, the auroral green line from atomic oxygen," Hansen told Discovery News, "so the 'phenomenon' is either a genuine auroral feature or a reflection of auroral light somewhere in space."

Found Here: http://news.discovery.com/space/norway-aurora-satellite-flare.html

The Holocaust | Pentagram | Burnt Offering | Ritual Mass Human Sacrifice

The word "holocaust" originally derived from the Greek word holokauston, meaning "a completely (holos) burnt (kaustos) sacrificial offering", or "a burnt sacrifice offered to a god". In Greek and Roman pagan rites, gods of the earth and underworld received dark animals, which were offered by night and burnt in full. The word "holocaust" was later adopted in Greek translations of the Torah to refer to the olah^[3], standard communal and individual sacrificial burnt offerings that Jews were required^[4] to make in the times of the Beit HaMikdash (Temple in Jerusalem).

Found Here: http://en.wikipedia.org/wiki/Names_of_the_Holocaust



Many who will read or hear excerpts of the previous article about the Vatican-Jesuit Holocaust will remain unconvinced, if not horrified by the claims which its contains.

The claim that a three hundred mile (plus) wide Pentagram of supreme evil can be formed by the precise true geographic location of the worst Nazi Human Sacrifice Camps of WWII will strike many as the “imagination” of conspiracy writers – the same fanciful notion as those who would see religious symbols in simple pieces of toast, or clouds.

Yet the Pentagram is able to be drawn and at its precise center of power is an actual Temple dedicated to Cybele- otherwise known as Inaana, Ishtar and Sibyl --the most ancient goddess whose most sacred site is Vatican Hill. So it is not something that can be discounted entirely.

Logic is a critical tool in the search for truth – what is mere fable and sometimes wild slander – and what makes common sense, sounds reasonable and probable. But what is even more important that a logical perspective is a respectful one.

When anyone mentions World War II and the slaughter of innocents by Roman Catholic Dictators and their allies, we are discussing an event of unprecedented evil. Therefore, uptmost care must be given to respecting their memory and surviving families. Any claim needs to be provable - unquestionably factual and not reckless, unfounded theories.

To answer any outstanding doubt concerning the complete involvement of the Roman Catholic Church through Pope Pius XII and Jesuit Superior General Wladimir Ledochowski S.J., let us examine some additional evidence concerning the Pentagram, the satanic religious nature of sacrificing over eighteen million people.

Found Here: http://continuingcounterreformation.blogspot.com/2009_01_01_archive.html

	(Secret) Knowledge is Power
	The evidence of who won the Jesuit Civil War is all around us. Universities have blossomed. Science discovery has accelerated and knowledge is universally accepted as power—the power of imagination and the era of the United States. The New World Order won the Civil War and remain firmly in control.
	In terms of key satanic knowledge that relates to their power, the secret knowledge of the Great Vatican-Jesuit Pentagram of Evil is very important knowledge, forgotten by many. So too, is the clear and unmistakable image “makeover” of evil from satan and “the devil” to Lucifer- or the spirit of Francis Borja personified as evil.
	It is why Borja ordered every church to ever be built by the Jesuits in following years to be constructed under strict codes of similar design—every Jesuit church was purpose built to be a readymade temple to Lucifer -- to the spirit of Francis Borja, the real founder of the Jesuits.
	Similarly, human sacrifice to the satanic gods became more sophisticated, starting with the atomic bombs on Japan. No longer did the New World Order Jesuits need massive and expensive human sacrifice camps to “burn” millions of victims, one tiny bomb could do it in seconds.
	One of the greatest criminal acts in history remains the executive order by President Truman to drop the atomic bombs on Hiroshima and disgraced Jesuit city Nagasaki in 1945 after receiving not one, but several official notices of surrender from the Japanese. Thus began the “modern” age of sacrifice to the satanic gods of the Vatican and Jesuits.

Found Here: http://one-evil.org/acts_holocaust/acts_vatican_holocaust_part_4.htm

Hale Crater Mars Civilization Geometric Shapes Digital Compression

Images #1, 3, 5, 7 and 9-10, were taken by MarsExpress satellite, show odd, highly organized geometrical structures, that follow topology and respect laws of perspectivity. Pictures #2, 4, 6, 8 and 11-12 are corresponding crops, converted to BW, contrast enhanced and slightly sharpened by a very accurate S-spline algorithm. The whole image enhancment process was optimized to not introduce additional artefacts. Extensive image analysis showed, that no image processing algorithm is known, that may have created the said structures systematically or by chance. Cosine transform/inverse cosine tranfsorm (DCT/IDCT) artefacts - so called JPEG pixelation - must be disregarded, since uncompressed TIF imagary is available and detail resolution (raw data unit DCT blocksize) is mapped down to about 2x2pixel. Map colorization programs follow given 2D/3D landscape atrributes and are not known to create highly organized, distinctive, geometric patterns on their own. Possible patchwork artefacts (mosaics) can be excluded, since the images in question were taken in a single stripe shot by MarsExpress' NADIR- and high resolution stereo camera (HRSC). However a possible interaction between NADIR- and HRSC data can not be excluded; but no image from another location could be found, that shows similar or comparable patterns. Hence, the origin of the depicted structures must be considered as unknown. A detailed mission description can be found here. ESA/DLR/FU-B hi res image library can be browsed here.

Found Here: http://www.adenet.ch/halecrater.htm

Spiral Symbolism - Prehistoric Geometry

Why is the spiral such a compelling shape? Why does it have a positive meaning for every culture that ascribes a meaning to it? Could it be because we, on this tiny planet whirling around one of 100 billion suns, can call a spiral galaxy home?

The spiral has found its way into the art of almost all cultures, from ancient primitive rock carvings on all continents to today's corporate logos. They show up in celtic art, native American petroglyphs, Nazca earthworks, Arabic architecture, Japanese rock gardens, Hindu spiritual texts, Australian aboriginal paintings and African art. Surprisingly, no religious or political group has claimed exclusive rights to the spiral. It remains non-sectarian, or maybe pan-sectarian. The spiral belongs to everyone and excludes no one.

In various mythologies the spiral is a globally positive symbol. Here are some of the meanings that have been attributed to the spiral.

Carl Jung, the famous psychiatrist, said that the spiral is an archetypal symbol that represents cosmic force.

In ancient Britain, the spiral seems to have been associated with the feminine as the doorway to life.

It has been associated with the cycles of time, the seasons, the cycle of birth, growth, death, and then rebirth. The cycles of time and nature are the cycles of life.

Some consider the spiral a symbol of the spiritual journey. It is also considered to represent the evolutionary process of learning and growing. It seems that life doesn't proceed in a straight line. The path of life more closely resemble a spiral. We seem to pass the same point over and over again but from a different perspective each time. To walk and then stand in the center of a spiral or labyrinth has been a psycho-spiritual exercise for centering the consciousness.

The spiral stands for coming into being.

The spiral shows up often in nature - in hurricanes and tornados, in the pattern of seeds in a sunflower, in the growing tips of ferns, in the pattern that leaves grow on a stem, in the shape of a nautilus shell, and, as a helix, the shape of the DNA molecule.

The spiral is the journey of life

Found Here: http://www.zenzibar.com/cosmicspiral/cosmicspiral.htm

The Spiral - (Prehistoric Geometry)

Spirals are a common natural form, appearing at all levels of nature. They are the natural product of Phi (Ф), which is also called the 'Golden Section' or the 'Golden Mean'.

Service and Bradbery (2), write that the spiral refers to:

'...the belly and navel (Neumann 1955). It is also seen as representing a Navel of the earth - the Omphalos...E.A.S Butterworth in 'The Tree at the Navel of the Earth' calls it the Omphalus sign...now seen as very ancient and very widespread (Roscher 1913), This fits well into the idea of megalith as places of interchange between the cosmic forces of the sky and earth'. (2)

Examples of European Megalithic Spiral-Art. Prof. Alexander Thom suggested that some of the European megalithic spirals had been carved with mathematic precision, using a common unit of measurement associated to the Megalithic Yard. Irish Spirals. The mound at Newgrange has been dated at about 3,200 BC (Burl). The passageway has been shown to possess both a solar orientation, and a secondary astronomic feature in its design called a 'light-box', of which three others have so far been identified (One at Carrowkeel, Ireland, one at least on the Orkney Islands, Scotland, and another other at Bryn Celli Ddu in Wales). All of the 'light-boxes' have one thing in common, which is that they were orientated to solar events. Front Kerbstone, Newgrange - Note spirals left of the central line go in one direction, whilst those on the right go in the other direction. The spirals above are all from Newgrange, in the Boyne valley, Ireland. Kerb-stone from Knowth, Ireland, also a part of the Boyne Valley 'complex'. Spirals are a common feature of Irish megalithic art. They can be seen at numerous other Irish megaliths, although there exact meaning (If there is such a thing), is far from being understood. (More about Prehistoric Ireland) Portuguese Spirals. Being one of the earliest regions of megalithic activity in Europe, it is interesting to find one of the largest spirals here also. This recently discovered spiral-art (right), was found in the region of Poidáo in Portugal. The spiral is around 0.5m in diameter, possibly making it the largest known carved spiral in Europe. Unlike most spirals, this one sits alone on the side of a hill, with no obvious orientation or apparent purpose. Several other spirals along with various rock-art, stone phallus, cart-ruts and even signs of Christianisation make it probable that this inhospitable valley system was an importance prehistoric site for a long time. (More about Piodao region of Portugal) In addition, the stone circle at Almendres which is considered to be one of the oldest oldest stone circles in Europe ('4th to 5th millennium B.C' - Site plaque - 2007.), also has/had a spiral on one of it stones. Maltese Spirals. There are numerous spiral motifs in Malta, but they are decorative, 'floral' spirals, unlike the single examples found at many UK stone circles. Service and Bradbury (1), say that 'spiral patterns are associated with the great goddess'. A statement that makes sense in Malta., but nowhere else. These 'floral-spirals' (above), come from the Tarxien in Malta. They show a strong similarity to Celtic and Norse motifs, but are dated far earlier at 3,000 -3,500 BC. This spiral-art is from Bugibba 'temple' on Malta is indistinguishable from others found in the Orkneys, Scotland as the following pictures illustrate... Scottish Spirals. The 'Westray Stone', from Pierowall (left). The Eday Manse stone, Isle of Eday. (right). (More about the Orkneys) Other European Spiral-art. The Flat Rocks of Helluland I (2)- with similar 'Solar-wheels' as those found in Ireland.

Found Here: http://www.ancient-wisdom.co.uk/spirals.htm