Adolf Hitler attending a rally in Munich

A famous image shows Adolf Hitler attending a rally in Munich, Germany, at the outset of World War I in 1914. Historian Gerd Krumeich told a German newspaper this week that he determined the image was almost certainly a fake.

BERLIN (Oct. 16) -- A new exhibit about Adolf Hitler and the Germans breaks taboos and treads new ground as it explores the relationship between the Fuehrer and his Volk.

The exhibit, which opened this week in Berlin to crowds of curious visitors, is packed with Nazi memorabilia, from swastika-bearing beer mugs to SS uniforms, in a bid to show how pervasive propaganda images of Hitler were throughout German society as the Nazis gained and then held power. By coincidence, it includes one famous image purportedly showing Hitler at at World War I rally that was revealed this week to have almost certainly been doctored.

Called "Hitler and the Germans: Nation and Crime," the exhibit at the German Historical Museum is careful not to open itself to charges that it is fueling a personality cult. It contains no memorabilia of Hitler himself, seeking only to show how his image was used in Nazi society.

"We don't want to focus on Hitler as a personality," Hans-Ulrich Thamer, curator of the exhibit, told reporters at a preview of the exhibit Wednesday. "We want to look at the rise of the regime, how it operated in power and how it fell, and the tremendous destructive potential that National Socialism unleashed."

The exhibit comes at a time when racism appears to be on the rise in Germany. A study published this week by the Friedrich Ebert Foundation, which is financed by the Social Democratic Party, showed that 35.6 percent of those polled believe Germany is being "overrun by foreigners." More than one in 10 Germans polled agreed with the statement that the country needed a "Fuehrer" to rule "with a strong hand," and about a third said foreigners should be sent home when jobs are scarce.

"In 2010, there has been a significant increase in anti-democratic and racist attitudes," the study's authors, Elmar Braehler and Oliver Decker, told reporters. "We are experiencing a dramatic turning point."

That poll comes on the heels of a heated debate over a book by Thilo Sarrazin, a former Social Democrat politician, that criticized German immigration policy and appeared to make racist comments about Muslims living in Germany. As a result of the row, Sarrazin was forced to resign from his post on the board of Germany's influential central bank, the Bundesbank.

Against that backdrop, Stephan Kramer, head of the Central Council of Jews in Germany, considers the Hitler exhibit important.

"I think this exhibit takes place at the right time because the various debates taking place right now, for example about the Sarrazin book, show how the lower middle class can be used and misled by pandering to their fears," Kramer said. "My only concern is that the wrong people will come and visit the exhibit."

The curators went to great lengths to deflect the seductive power of images of Hitler and other artifacts by placing them side by side with documentary presentations of Nazi atrocities and the path of destruction that Hitler wove through Europe. There are plenty of Nazi symbols in the exhibit -- swastikas, parade flags bearing the Nazi call to arms "Deutschland erwache!" (Germany awake!) and an extensive presentation of Nazi propaganda films.

Michael Sohn, AP

Various Nazi paraphernalia including cigars, a wallet and a quartet decorated with a swastika are shown at the exhibit "Hitler and the Germans: Nation and Crime" in Berlin on Wednesday.

Not all those images are what they seem to be.The exhibition contains one iconic photo of Hitler cheering amid a crowd at a Munich war rally at the outset of World War I, which the Nazis touted as evidence of the Fuehrer's patriotic common touch. This week historian Gerd Krumeich told Die Welt newspaper that he had determined that the picture, frequently reproduced during and since the Nazi era, was almost certainly a fake and that Hitler's image had been superimposed on the photo. Other similar plates in the studio of Munich photographer Heinrich Hoffmann looked very different, and the Hitleresque figure appears in no other images of the Aug. 2, 1914, rally.

The curators declined to exhibit objects they feared could draw neo-Nazis or sympathizers. While they exhibited a number of authentic Nazi uniforms, for example, they did not request a uniform held in Moscow that was actually worn by Hitler.

Simone Erpel, one of the curators of the exhibit, says it was important to treat these objects with a certain "critical distance," adding that this is the first museum exhibit to seriously explore why the Germans were so fascinated with Hitler.

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"We are not making Hitler a hero," she said.

An absorbing subplot in the exhibit is how Germany has dealt with the Fuehrer in the postwar period. Demonstrating the continued fascination -- or morbid curiosity -- with Hitler, one corner of the exhibit displays a wall of photos of Hitler that have emblazoned the cover of Germany's leading weekly magazine, Der Spiegel. Since the 1990s, the curators said, Der Spiegel has put Hitler on the cover at least once a year.

In recent years, Germany has begun more openly debating the Fuehrer and the fascination he exerted over ordinary Germans. In the past Hitler was often presented as pure evil, beyond human. But the 2004 film "Downfall," a portrayal of the last days of the Third Reich, broke the final taboo and presented an image of Hitler as a deranged, feeble and ultimately broken man. It was "Downfall," more than any other recent event, that paved the way for the German Historical Museum to approach this sensitive subject.

The effort seems to have paid off in the minds of foreign tourists visiting Berlin.

"This is a brilliant exhibit of contrasts," said Jetin Habstaat, a tourist from Oslo, Norway. "One can see the propaganda but you can also see the opposition. It shows also the impact of the violence."
Found Here: http://www.aolnews.com/world/article/berlin-adolf-hitler-exhibit-breaks-taboos-and-reveals-a-hoax/19676166?icid=main|main|dl1|sec1_lnk2|178220

The Holocaust | Pentagram | Burnt Offering | Ritual Mass Human Sacrifice

The word "holocaust" originally derived from the Greek word holokauston, meaning "a completely (holos) burnt (kaustos) sacrificial offering", or "a burnt sacrifice offered to a god". In Greek and Roman pagan rites, gods of the earth and underworld received dark animals, which were offered by night and burnt in full. The word "holocaust" was later adopted in Greek translations of the Torah to refer to the olah^[3], standard communal and individual sacrificial burnt offerings that Jews were required^[4] to make in the times of the Beit HaMikdash (Temple in Jerusalem).

Found Here: http://en.wikipedia.org/wiki/Names_of_the_Holocaust



Many who will read or hear excerpts of the previous article about the Vatican-Jesuit Holocaust will remain unconvinced, if not horrified by the claims which its contains.

The claim that a three hundred mile (plus) wide Pentagram of supreme evil can be formed by the precise true geographic location of the worst Nazi Human Sacrifice Camps of WWII will strike many as the “imagination” of conspiracy writers – the same fanciful notion as those who would see religious symbols in simple pieces of toast, or clouds.

Yet the Pentagram is able to be drawn and at its precise center of power is an actual Temple dedicated to Cybele- otherwise known as Inaana, Ishtar and Sibyl --the most ancient goddess whose most sacred site is Vatican Hill. So it is not something that can be discounted entirely.

Logic is a critical tool in the search for truth – what is mere fable and sometimes wild slander – and what makes common sense, sounds reasonable and probable. But what is even more important that a logical perspective is a respectful one.

When anyone mentions World War II and the slaughter of innocents by Roman Catholic Dictators and their allies, we are discussing an event of unprecedented evil. Therefore, uptmost care must be given to respecting their memory and surviving families. Any claim needs to be provable - unquestionably factual and not reckless, unfounded theories.

To answer any outstanding doubt concerning the complete involvement of the Roman Catholic Church through Pope Pius XII and Jesuit Superior General Wladimir Ledochowski S.J., let us examine some additional evidence concerning the Pentagram, the satanic religious nature of sacrificing over eighteen million people.

Found Here: http://continuingcounterreformation.blogspot.com/2009_01_01_archive.html

	(Secret) Knowledge is Power
	The evidence of who won the Jesuit Civil War is all around us. Universities have blossomed. Science discovery has accelerated and knowledge is universally accepted as power—the power of imagination and the era of the United States. The New World Order won the Civil War and remain firmly in control.
	In terms of key satanic knowledge that relates to their power, the secret knowledge of the Great Vatican-Jesuit Pentagram of Evil is very important knowledge, forgotten by many. So too, is the clear and unmistakable image “makeover” of evil from satan and “the devil” to Lucifer- or the spirit of Francis Borja personified as evil.
	It is why Borja ordered every church to ever be built by the Jesuits in following years to be constructed under strict codes of similar design—every Jesuit church was purpose built to be a readymade temple to Lucifer -- to the spirit of Francis Borja, the real founder of the Jesuits.
	Similarly, human sacrifice to the satanic gods became more sophisticated, starting with the atomic bombs on Japan. No longer did the New World Order Jesuits need massive and expensive human sacrifice camps to “burn” millions of victims, one tiny bomb could do it in seconds.
	One of the greatest criminal acts in history remains the executive order by President Truman to drop the atomic bombs on Hiroshima and disgraced Jesuit city Nagasaki in 1945 after receiving not one, but several official notices of surrender from the Japanese. Thus began the “modern” age of sacrifice to the satanic gods of the Vatican and Jesuits.

Found Here: http://one-evil.org/acts_holocaust/acts_vatican_holocaust_part_4.htm

Marvel Nazis

The National Socialist German Workers Party, or "Nazi" Party, was founded as a small right-wing political party in 1919 by Anton Drexler. By 1933 the party was voted into power led by Chancellor Adolf Hitler. Hitler became dictator of Germany the following year, declaring the beginning of a new period in German history known as the "Third Reich" and began a rearmament campaign with the aim of conquering Europe, a goal which eventually precipitated the Second World War. Germany eventually lost World War II and Hitler was killed by the Human Torch. However, through several evil agents, the Nazi movement has continued on with terrorism throughout the world to this very day. Most notably are: the Red Skull, Warrior Woman, Baron Heinrich Zemo, Baron Strucker, Baron Blood and countless others. While officially disbanded after World War II, the Nazi Party, through both direct action and inspiration, continues to affect events wherever it may strike. The terrorist group Axis Mundi is probably the most prominent direct offshoot of the Nazi Party still operating.

Found Here: http://www.marvel.com/universe/Nazi_Party