Showing posts with label pen and ink. Show all posts
Showing posts with label pen and ink. Show all posts

Friday, December 16, 2011

Maps - Heights of Mountains, Lengths of Rivers

For over 100 years, atlas and map publishers in the United States and Europe published a style of map that was a visualization of the heights and lengths of the world's mountains and rivers. Some of the earliest examples appeared in Europe towards the end of the 18th century. In the United States, the form was popular throughout the 19th century and the early part of the 20th. These maps appeared in atlases, as wall maps, and as pocket maps. One of the most elegant examples was engraved originally on copper by map publisher Henry Tanner in Philadelphia in 1836 and then continued by S. Augustus Mitchell, also of Philadelphia, in lithographic versions into the 1850's.

The Mountains and Rivers maps appeared in several styles and formats. One of the earliest styles was to show just mountains, piled up in a landscape, with a key of mountain heights on the left and right sides of the illustration. Also listed on the side would be the highest flights of the Condor, limits of plants and trees, elevations of lakes, elevation of certain high altitude cites, and climate zones. An early example in the Rumsey collection is Charles Smith's Comparative View of the Heights of the Principal Mountains &c. In The World, published in London in 1816.

Another popular style combined heights of mountains and lengths of rivers in one view. The rivers are stretched out in single lines, with the longest on the left combining with the shortest mountains, while the shortest rivers combine with the highest mountains on the right. The visual result is very compelling. One of the earliest examples was W.R. Gardner's Comparative Heights of the Principal Mountains and Lengths of the Principal Rivers, published by William Darton in London in 1823.


A third variation of the mountain and rivers designs was putting the mountains in the center of the view with the rivers extending downward on each side. One of the earliest examples of this type was published by Henry Tanner in 1836, Heights of the Principal Mountains in the World.

John Dower and Henry Teasdale published another version in London in 1844 titled Principal Mountains and Rivers of the World. It is possible that there was an earlier version of this London map that Tanner copied from - a common practice of American mapmakers in the first half of the 19th century - but Tanner's map is centered on information important to American readers and the Dower/Teasdale map is oriented to England and Europe.

Gray's new map of the World in hemispheres, with comparative views of the heights of the principal mountains and lengths of the principal rivers on the globe, of 1885, provided a simplified view of the mountains and rivers. It appeared in George N. Colby's Atlas of the State of Maine, 1885.

Found Here: http://www.davidrumsey.com/blog/2009/9/5/heights-of-mountains-lengths-of-rivers


earliest known map is a matter of some debate, both because the definition of "map" is not sharp and because some artifacts speculated to be maps might actually be something else. A wall painting, which may depict the ancient Anatolian city of Çatalhöyük (previously known as Catal Huyuk or Çatal Hüyük), has been dated to the late 7th millennium BCE.[1][2] Other known maps of the ancient world include the Minoan "House of the Admiral" wall painting from c. 1600 BCE, showing a seaside community in an oblique perspective and an engraved map of the holy Babylonian city of Nippur, from the Kassite period (14th – 12th centuries BCE).[3] The oldest surviving world maps are the Babylonian world maps from the 9th century BCE.[4] One shows Babylon on the Euphrates, surrounded by a circular landmass showing Assyria, Urartu[5] and several cities, in turn surrounded by a "bitter river" (Oceanus), with seven islands arranged around it.[6] Another depicts Babylon as being further north from the center of the world.[4]

The ancient Greeks and Romans created maps, beginning at latest with Anaximander in the 6th century BC.[7] In the 2nd century AD, Ptolemy produced his treatise on cartography, Geographia.[8] This contained Ptolemy's world map - the world then known to Western society (Ecumene). As early as the 8th century, Arab scholars were translating the works of the Greek geographers into Arabic.[9]

In ancient China, geographical literature spans back to the 5th century BC. The oldest extant Chinese maps come from the State of Qin, dated back to the 4th century BC, during the Warring States Period. In the book of the Xin Yi Xiang Fa Yao, published in 1092 by the Chinese scientist Su Song, a star map on the equidistant cylindrical projection.[10][11] Although this method of charting seems to have existed in China even prior to this publication and scientist, the greatest significance of the star maps by Su Song is that they represent the oldest existent star maps in printed form.

Early forms of cartography of India included the locations of the Pole star and other constellations of use.[12] These charts may have been in use by the beginning of the Common Era for purposes of navigation.[12]Mappa mundi is the general term used to describe Medieval European maps of the world. Approximately 1,100 mappae mundi are known to have survived from the Middle Ages. Of these, some 900 are found illustrating manuscripts and the remainder exist as stand-alone documents.[13]

The Arab geographer Muhammad al-Idrisi produced his medieval atlas Tabula Rogeriana in 1154. He incorporated the knowledge of Africa, the Indian Ocean and the Far East, gathered by Arab merchants and explorers with the information inherited from the classical geographers to create the most accurate map of the world up until his time. It remained the most accurate world map for the next three centuries.[14]

In the Age of Exploration, from the 15th century to the 17th century, European cartographers both copied earlier maps (some of which had been passed down for centuries) and drew their own based on explorers' observations and new surveying techniques. The invention of the magnetic compass, telescope and sextant enabled increasing accuracy. In 1492, Martin Behaim, a German cartographer, made the oldest extant globe of the Earth.[15]

Found Here: http://en.wikipedia.org/wiki/Cartography




Wednesday, November 2, 2011

Laura Laine

Laura Laine is a Helsinki based illustrator.
She has studied fashion design at University of Art and Design Helsinki, but during her studies focused on fashion illustration. After completing her studies she has been working full-time as a freelance illustrator and is also teaching fashion illustration at the university.

Her recent clients include Vogue Nippon, GAP, I.T. store, Elle, Zara, Telegraph, Rad Hourani, The New York Times T magazine, Tommy Hilfiger, Muse magazine, The Guardian, I.T. Post magazine, Iben Hoej, and Daniel Palillo. She has also exhibited in San Francisco and Los Angeles.

Found Here: http://www.lauralaine.net/















Thursday, September 1, 2011

Stan Mott

Mind-bending images and ideas from a fabulous cartoonist and a superb illustrator If you ever wondered what a steam locomotive racing might look like, or fantasized about driving the biggest baddest vehicle across the desert with its own supply of sharks and waterplanes, look no further - the eccentric imagination of Stan Mott might prove simply unmatched. We'll start with the (probably) the most outrageous picture we've seen this month: "The Supertanker Chopper"! - It's hard to summarize Stan Mott's interests in a few words. The man is brilliant and has done some really amazing things ... like ride a go-cart around the world!! Here is an info that appeared in the "Road & Track" Magazine, June 1979: "It's impossible to type the zany, crazy Mott (who lives on a yacht - sometimes), one of our readers' favorite cartoonists / writers and co-founder of Automobili Cyclops, the firm that rocketed to fame in its first appearance in R&T in 1957. When we asked Stan to tell us about his life, he said, "Well, I escaped Flint, Michigan at an early age, owned 50-percent interest in a Cragar flathead A-bone roadster at 12, ran at El Mirage at 15, had first automotive cartoons published in Rosetta Timing Association's program in 1948. Went to Art Center College, developed sense of humor working in World's Greatest Rolling Clown Show (GM Styling Section). Then worked as fry cook, mercenary, airline pilot, art director of R&T, farmer, Wall Street broker, poet. Drove go kart around the world, became an Alpine guide, did freelance art work and smuggled. Helped found Automobili Cyclops SpA and hold position of propaganda minister in perpetuity. Now working philantropically to solve moral situations in Southern Mediterranian waters for the U.N." Stan refuses to talk about his CIA work, arctic exploration or his stint as a human cannon ball." From "The History of Tanks" (Racing Tanks, that is) When asked by our DRB team for an update on his life, Stan adds: "Since '79 I learned to fly gliders in Cyprus, did a "Captain Stan Show" in 1983-4 for Radio 103.2 in Mallorca, Spain, sailed the first Turkish caique across the Atlantic, roamed the Caribbean for seven years, settled here in Neuss, Germany. Also, I'm working on a 76-page graphic novel.". According to the Top Gear Magazine (Dec 2001): "The Captain Stan Show was a Pythonesque consciousness weird-out which must have left baffled tourists wondering if their Watney Red Barrel had been spiked." All images and artwork are copyright Stan Mott, used by permission. You can see more at S. Berliner's wonderful archive site of Stan's artwork - click here. Fantasy Steam Racing Locomotives "Les 24 Heures de Choo-Choo" ("The 24 Hours of Choo-Choo" - as in Le Mans): Other Wicked Fantasy Vehicles Here is the personal aircraft carrier for the impossibly wealthy Oil Sheik. The Sheik is sea-sick, so the carrier rolls on the dry ground, while the seaplanes land on its deck filled with water. Some sharks were provided to keep the waters free of Russian scuba diving spies. Of course, some may remember Stan Mott as the creator of "Cyclops" series of cartoons (a few "Cyclops" mini-cars were even manufactured by Automobili Cyclops SpA), which blessed the John Bond's great Road & Track Magazine with much fun and colour in the 60s. S. Berliner, III again provides an extensive coverage of this series - click here. Don't miss Stan's tongue-in-cheek tribute to the Soviet aircraft designer Igor Sokerov. It's brimming with radical aircraft technology ideas and is a lot of fun. And here is the man himself, surveying the terrain outside Quarzazate, Morrocco:

Saturday, February 7, 2009

Another "vision" of history | Maurillo Manara (Milo Manara)

Another "vision" of history

Raúlo En: Raul: Dibujo Drawing Arte Arts Sociedad Society Actualidad Today Historia de la Humanidad History of Humanity Cultura Culture

El dibujo y la historia Drawing and story

Una curiosa guía visual de la evolución de la humanidad a través del tiempo historico del gran maestro italiano Maurillo Manara (Milo Manara) . A strange visual guide to the evolution of humanity through time of great historical Italian master Maurillo Manara (Milo Manara). Es uno de los dibujantes más famosos del panorama erótico mundial. It is one of the most famous cartoonists picture erotic world. Las mujeres de Manara son esculturas en sí mismas y sus historietas son clásicos entre los clásicos del género. Women of Manara are sculptures in themselves and their stories are classics among classics of the genre.
Su primer título, Genius , lo publicó en 1969. His first title, Genius, published in 1969. El sexo y la aventura ya despuntaron como ingredientes fundamentales de su obra. Sex and adventure and emerged as key ingredients of his work.
Con " HP y Giusseppe Bergman" se situó entre los mejores autores de cómic de autor. With HP and Giuseppe Bergman "was among the finest comic authors of the author. A partir de ahí Manara creció con un género que poco a poco se hizo suyo. "El Clic" fue un gran éxito de ventas y crítica. From there Manara a genre that grew gradually became his. "Click" was a huge critical and sales success. Luego vendrían "Verano Indio" (con guión de Hugo Pratt), "El Perfume del Invisible" y las sagas de "HP y Giusseppe Bergman" y "El Clic". Fue estrecho colaborador del maestro del cine Federico Fellini. Then came "Indian Summer" (with script by Hugo Pratt), "The Perfume of the Invisible" and the saga of "HP and Giuseppe Bergman" and "Click." It was a close associate of the maestro Federico Fellini film.

La "evolución", segun Milo... The "evolution", according to Milo ...

Otra de sus historias más famosas es:"City Hunters" explora a fondo el mundo de la seducción a través de la historia de un maestro y un aprendiz en el arte de la conquista femenina. Another of his most famous stories is "City Hunters" explores in depth the world of seduction through the story of a master and an apprentice in the art of female conquest.

"City Hunters" gira en torno a Axel, un joven melancólico quien ha sido abandonado por su novia y al Dr. Lynch, un viejo bon vivant, quién en los años ´70s fue un maestro creador de fragancias masculinas y playboy. "City Hunters" around Axel, a melancholy young man who was abandoned by his girlfriend and Dr. Lynch, an old bon vivant, who in the'70s was a master creator of fragrances and male playboy.
Según presume, Lynch es miembro y actual guardián de la Logia X, una agrupación ultra-secreta que desde hace más de 2 mil años, se dedica a investigar a la mujer y todo lo relacionado con el misterioso mundo del arte de la seducción. According presumed Lynch is a member and current custodian of the Lodge X, an ultra-secret group that for more than 2 thousand years, is dedicated to research on women and everything about the mysterious world of the art of seduction.
En un accidente, Lynch conoce a Axel y súbitamente detecta en él un fuego sagrado, un verdadero diamante en bruto y comienza a considerar que tal vez sea Axel el indicado para transmitir los secretos de la logia a la próxima generación. In a crash, Lynch met Axel and suddenly find it a sacred fire, a real diamond in the rough and begins to consider that perhaps Axel suitable for transmitting the secrets of the lodge to the next generation. Antes, Axel deberá convertirse en un "Seductor Absolutis": un hombre capaz de conquistar a cada una de las distintas tipologías de mujer que existen. Earlier, Axel should become a "Seductive Absolutis": a man capable of conquering each of the different types of women that exist. ( este comics fue la base para la campaña de Axe ,si el desodorante!!) RG. (This comic was the basis for the campaign Ax, if the deodorant!) RG.




Wednesday, September 10, 2008

James Gulliver Hancock






James is an international artist that crosses as many mediums as he does borders. Living out his middle namesake 'Gulliver' James is constantly on the move, having been involved in artist projects and residencies in Indonesia, Austria, France, the U.K. and America. He is currently located in Los Angeles and works on projects in Europe, America and Australia.

Trained in Visual Communications in Sydney, Australia james quickly took hold of the local art scene, establishing his own artist network through the gallery SPACE3. Welcoming local artists and musicians into a collaborative space based in a romantic crumbling old bank in the heart of the city. This network quickly blossomed to hold hundreds of events, produce a hardcover 100 page catalogue, and provide the jumping point for many local artists and musicians to scatter across the globe.

His work is as varied as his travels, encompassing editorial illustration for magazines, commissions for music group artwork and animations, working with intellectually disabled children on logo designs, to gigantic set illustrations for performances, and animations for TV, not to mention his continual personal art practice.

His work is conceptually driven and is concerned with confusions of perception and embraces personal subjectivity. Born to psychologist parents he draws from an analysis of hyperchondria, obsession, and hyper-awareness. Throughout this investigation his work maintains a consistent charm, whimsy and poetic graphic sensibility.

Found Here: http://www.jamesgulliverhancock.com/