Denderah Zodiac from the Temple of Hathor

The temple to Hathor at Denderah, Egypt was constructed as a monument and a learning venue for Motherhood. The design of the monument carries the celestial theme throughout its grand architecture. Within each chamber and hall are magnificent and profound works of art which glorify the qualities of benevolent motherhood. In the entrance areas are fully inscribed columns with the Nile Lotus replaced by the head of Hathor wearing her traditional wig over cow ears. The temple is the product of the Hellenistic Period after the conquests of Alexander the Great during the Ptolemaic Dynasties, just prior to, and overlapping the initiation of the Christian era.. The Nile Lotus and the Wig of Hathor are both symbols of the object held in the hand of the constellation Virgo. Modern astronomers recognize the wig as Coma Berenices; the wig of Berenices. However it should be self evident that the stars at the top of the axis of the galactic sphere can be connected to look like a sprig of wheat, an ear of corn, a Red Pandanus, a Nile Lotus, an Indus Lotus, or any fertile flower. The essence of a fertile flower is the theme of the temple to Hathor, and the essence of benevolent motherhood. This essence is drawn directly from the positions of the stars at the top axis of the galactic plane of the Milky Way, perceived from earth.

In the ceiling of the Osiris chamber the architects installed a cosmic story about the deflowering of motherhood. The story was told as a prophecy, and an example teleology; the belief that design and purpose are apparent in nature. It is derived from the Egyptian record of the experiences of life, and their recorded knowledge of the most ancient traditions of the whole world. It is the quintessential document which relates to the conversation between the Egyptian priest and Solon in Plato's dialogue by Critias. For the monument reads like a history book, in which the clock of the heavens defines the space-time frame, and the rhythm of Plato's Dance of the Gods. Besides a history of the ancient world, the monument tells a story about the maturation cycle of human souls in the whole of Western Civilization for an additional 8600 years to come. The solar eclipse of August 1999 demonstrates that the great accuracy of the celestial knowledge of the temple architects included dramatic teleological aspects. Within the presentation of their material science, the spiritual message of the Egyptian priests and priestesses is clearly visible. It is a story about love and reason, arrogance and wisdom, banishment and salvation. Most of all, it is a story about a man child (Horus) and his mother (Hathor), and the dialog of mankind with the Creator.

This is the Greatest Story Ever Told. It has been told around the world. In Polynesian traditions it is the legend of the Land Under the Land, where a disenchanted wife meets a stranger and goes to the Land of Shadows to have her husband's child before returning to the top of the world with peace in her heart, and a Red Pandanus in her hand. In Mesoamerica it is the legend of Hanahpu and his brother Xbalanque. In Mesopotamia it is the legend of Gilgamesh and Enkidu, among many others. In India it is the dance of Shiva. In China and east Asia, it is the dance of the Sun Dragon. The Bible tells the same story with many different players, including Adam and Eve, Isaac and Ishmael, Aaron and Moses, John and Jesus, and the Child of the Madonna. On August 11, 1999, the sun winked as it entered into the Kingdom of Heaven. To let this incredibly important moment pass without recognition of its historical value would be a sacrilege against all that has been sacred since the beginning of the dialogue between man and Creator. For, to be silent is repression. Thus, this story is being told in the hopes that a modern world is not so cosmically deaf that it has lost all value in its ancient sacred meaning.

COMMON SENSE IS INTUITIVE

The reason why so many of the world's sacred myths have a familiar ring to them is the fact that they were all taken from the same patterns in the stars. To say that the stars contain Plato's Lost Island of Atlantis would not be an exaggeration, for the stars contain all the lost legends of our past. The legends are all testaments to the observational brilliance that accumulated at the predawn and early dawn of civilization. They are the foundations of our modern Jungian archetypes. Within these great legends is an unmistakable common belief in the benevolence of Mother Nature. It is the trust and faith that humans gave to Mother Nature that caused her to be deflowered as Western Civilization became a domain of the rule of law. Civilization is not to blame for her being deflowered. It is a process which humanity must pass through. Mother Nature deflowered herself so that the man child could grow to full maturity. The stranger she had come to know was the rationalizing husband and the immature son that she loved so dearly. They had forgotten her value as the vessel of life. In her own words, as spoken through her son, we find the echo of all the great legends.

John 14:1-3
1 Let not your heart be troubled: ye believe in God, believe also in me.
2 In my Father's house are many mansions: if it were not so, I would have told you.
I go to prepare a place for you.
3 And if I go and prepare a place for you, I will come again, and receive you unto myself;
that where I am, there ye may be also.

The deflowering of motherhood is the essential path which all children must follow, sooner or later. For you see, it is not the mother's body that is deflowered, it is the ideal of the goddess she represented when we were young. Our rational mind searches for scientific truth, in the hope that one day we can be independent of the myths we learned within the mothering bonds that we hold in the memories of our youth. When we finally reach the end of our adolescent umbilical cord, it breaks, and we search for the mothering bonds to find out what went wrong. As we turn back, we can become a "pillar of salt" and lose all emotional bondage, or we can shed the tears of our temporal identity and be grateful that the Cosmos was willing to give us mothering when it was needed. After the bond is broken, it can be restored again by the simple grace of gratitude. Then we become wise and are capable of passing on to those who follow us, the stories we once believed to be the material and maternal facts of life. At the end of our mother's cord we learn that she had prepared us to break the bondage of the rational umbilical cord, which was our dream of her divine nature. A few years wandering in the wilderness is all that any rational person needs to recognize that we do not live in a world dominated by the rational ideas of men, we live in a world bound to the breast of Mother Nature. We cannot break that bondage by death. We can only stress and distort it by denial during life.

Hidden behind the logic of this microscopic maturation cycle of a single human soul is the macroscopic maturation cycle of civilizations. Like individuals, civilizations strive to break the umbilical bondage. And like individuals, health is restored when a civilization recognizes that Mother Nature knows only Tough Love. She gives us a scepter of flint as proof that we are capable of self inspiration when we walk in the pits of our emotions. She gives us a flail as proof that we can overcome physical stress. She gives us a crook as proof that we can lead others to the Promised Land. And last, she gives us a door through which we can pass a material record of our lives on to her children who come after us. In Egypt the door was Rostau, where Osiris ascended to Orion, and the Great Pyramids promised his return. It is through that door that the present essay will lead. The metaphor of the way of the door has been fabricated many times and in many ways. The ceiling monument in the chapel to Osiris is a detail of Mother Nature's passages through the cosmic door into the mystery of the heavens.|

Read More Here: http://www.siloam.net/cornwall/cornwal4.htm
Denderah Zodiac
S. Battaglia, G. Miglietta and Opera Laboratori Fiorentini

Full scale reproduction of the Zodiac from the Temple of Hathor in Denderah, the first depiction of the heavens in which use is made of stereographic projection. The outermost circle shows 36 decans, each scanning a 10-day interval; the first decan is level with Sirius, the star that heralds the beginning of the year and the arrival of the Nile flood. The second circle shows the constellations in the southern hemisphere. The third circle shows the constellations in the northern hemisphere. The figures of the Zodiac are aligned along the eccentric circle of the ecliptic. The axis joining Cancer to Capricorn (the solstices) points in a north-south direction. The temple's transverse axis is perfectly oriented towards the heliacal rising of Sirius, which rose at 18o east-southeast. Sirius, portrayed as a squatting cow, is correctly shown at the point of maximum culmination on the celestial meridian of the southern hemisphere.

Found Here: http://brunelleschi.imss.fi.it/galileopalazzostrozzi/object/DenderahZodiac.html
History

During the Napoleonic campaign in Egypt, Vivant Denon drew the circular zodiac, the more widely known one, and the rectangular zodiacs. In 1802, after the Napoleonic expedition, Denon published engravings of the temple ceiling in his Voyage dans la Basse et la Haute Egypte.^[4] These elicited a controversy as to the age of the zodiac representation, ranging from tens of thousands to a thousand years to a few hundred, and whether the zodiac was a planisphere or an astrological chart.^[5] Louis Charles Antoine Desaix, a member of the expedition, decided to remove the relief to France and so, in 1820, the antiquities dealer Sébastien-Louis Saulnier commissioned Jean Baptiste Leloraine, a master mason, to remove the circular zodiac with saws, jacks, and scissors constructed for the job. The zodiac ceiling was moved in 1821 to Restoration Paris and, by 1822, was installed by Louis XVIII in the Royal Library. In 1964, the zodiac moved from the Bibliothèque Nationale to the Louvre.

The controversy around the zodiac, called the "Dendera Affair", involved people of the likes of Joseph Fourier (who estimated that the age was 2500 BC^[6]), Thomas Young, Jean-François Champollion, and Jean-Baptiste Biot.^[7] Johann Karl Burckhardt and Jean-Baptiste Coraboeuf held, after analysis of the zodiac, that the ancient Egyptians understood the precession of the equinoxes. Champollion, among others, believed that it was a religious zodiac. Champollion deciphered the names of Tiberius, Claudius, Nero and Domitian on the ceiling of Dendera's temple, and placed the zodiac in the era of Roman rule over Egypt.^[8] Baron Georges Cuvier placed the date 123 AD to 147 AD.^[9] His discussion of the dating question is an interesting summary of the reasoning as he understood it in the 1820s.

Over the last 10 years, I have been presented with a star-code science called cosmogenesis. From 2000 July 17th to 2007 July 17th a pattern of psycho-physical reference points to astronomical events were presented over and over again to engage and synchronize my attention to the placement the Egyptian’s called Heaven’s Gate: The Cancer-Leo Boundary. The code cosmogenesis uses to construct meaning is based on an epistemology designed by the Egyptian Cosmologists. For the sky-priests who closed the Egyptian Empire’s Old World Order, they designed an ingenious calendar wheel at the Temple to Hathor was called the Denderah Zodiac. I made it my concern to follow the on-line study of this remarkable cosmology with the help of Rush E. Allen an engineer and astro-archaeologist whose mentorship provided me the firing-pins for walking the path of the True Priest.

To present the revelation of the Little Lion, we will walk through the basics of Egyptian Cosmology. The modus operandi for their vision of reality is not unlike that of the modern sages like Einstein, Podolsky and Rosen who argued that a quantum state corresponds not to reality but to the information we have about a subsystem of the universe. The quantum state for The Egyptian sky-priests who authored the science accepted two fundamental bodies of knowledge. One was called the Horus of the Two Horizons and the other was Coming Forth By Day, or the study of the First Fire Ceremony. Between these two pillars of science did the Egyptian cosmologists attempt to construct based on information gathering how the planets, milky way and stars were set to the house of creation that made room for one very unique ally in creation: man and his perception of self within a living system. The D.Z. concretized all these aspects with one important axiom. To acquire the experience of Truth one must suffer the burden of cosmic responsibility once he has put his ‘feelings straight’.

A scientific paper was presented during the time of Seti I to define the ability to understand the science of predicting outcome. The Hunefer Papyrus was the Occam’s Razor of the 17th Dynasty.

Found Here: http://www.cyberspaceorbit.com/Lion/Lions_Gate_July_17.htm

The Hidden Geometry of the Zodiac in the Temple of Hathor, Denderah
1. The eight Horus figures holding the circle of the heavens define a pair of crossed axes by the lines defined by knees and elbows. 2. A hexagram may be drawn in by joining the points where the Isis figures hands meet on the circumference of the circle. 3. A pair of horizontal lines are drawn as shown by connecting the "shoulders" of the Horus figures, then point where their headresses terminate. These lines occur at the correct location to each form one side of the regular pentagram which can be inscribed in the circle. Thus two pentagrams are formed; one upright and one inverted. 4. With the remaining lines of the pentagrams drawn in, confirming proof that these constructions represent the intent of the designers is provided by the placement of the straight lines which connect the two fishes of Pisces. Note how one of these two lines not only forms a small section of the side of the pentagram itself, but occurs at the point where this line is intersected by the horizontal diameter of the circle.

Related Pages:

Hidden Geometry in Art:
Pierro Della Francesca:
Fra Angelico
Fra Luca Pacioli
Denderah Zodiac

Geometrical Analysis of the East Meon Crop Circle

Etheric technology of ancient Egypt: The Temple of Hathor at Denderah

Original Article Found Here: http://www.russwill.com/experiments/astro/Denderah/hidden_geo/geo_zodiac.htm

Annunaki Hieroglyphics - New Jersey Coast

Canal Complexes in America .................. This site is a review of some empirical evidence that will forever change the history of pre-diluvial America, shifting our paradigm from what we think we know about America to a whole new standard of 'Truth' about pre-historic civilizations on the North American continent.

Ancient Cities on our Coasts .... ...... .... .There are hundreds of miles of coastline, from Maine to Florida, continuing across the Gulf States including Texas and parts of Mexico, that are covered with vestiges and remnants of a very sophisticated, enormously large water borne culture or civilization that existed BEFORE current sea level rose an average of 12 to 25 feet, or more.

Sophisticated Geo Engineers: The evidence you are about to see, shows nearly every swampy piece of marsh land on most of the Eastern US Coast and Gulf of Mexico, to have been 'worked' and 'inhabited' by a very large, very sophisticated population of canal builders during some remote pre-flood period.

Found Here: http://www.ancientcanalbuilders.com/index.html

Submitted by Gordon J. Gianninoto on Mon, 11/15/2010 - 12:57

I was perusing the site Ancient Canal Builders Dot Com and came across these incredible hieroglyphics on Marshelder Island, New Jersey. The site is focusing on ancient coastal canals and it is clear that drainage canals and canals for other purposes were cut into almost the entire east coast of the United States. Now you do not need ETs or Atlanteans to explain them. Clearly, without any documents detailing this work, it predates 'history' and therefore could have been done by anyone, almost. I say almost because one section of the canals are not canals but lines defining various messages.

Now I do know about you, but if you have ever been in a salt marsh, the idea of creating a canal is a monumental task. The water table comes right up to the base of the marsh plants, and is a spongy, soft, wet mess to try to cut into. Even if you remove some of the mats of vegetation and the mud, just to put it into a wheelbarrow makes the wheelbarrow too heavy to move, as the wheels sink into the muck, that is, if you could even get a wheelbarrow into the area to begin with. In Louisiana, at the mouth of the Mississippi, huge canals, thousands of miles of them, were cut by floating barges starting in open water and cutting and dredging their way into areas where drilling for oil would occur. So the task in Mississippi required massive machinery and the canals all connect to deep water where the machinery came from.

So you see from the attached photos that we could have a similar explanation for these ancient canals. Whether that is actually the explanation for these ancient canals is another matter.

But all of a sudden if you zoom in on Google Earth, you see hieroglyphs set into lines with Sumerian measurements. Not to say the Sumerians made the lines, but what is that between the lines? It is hieroglyphs of a type not known previously. As far as I know, there is no interpretation of what these say, nor is there any expert who was ever aware of, studied, or made conclusions about them. Perhaps the messages are in Sumerian. Perhaps they predate the Sumerians, as Sumeria or Sumer is dated to 5,000 years ago. But Sumerian tablets describe the Annunaki, Niburu and mining for gold and creating us as slaves, going back a million years. You would know this if you have read any of the recently deceased Zecharia Sitchin books about what those tablets say, including "The Twelfth Planet" and seven more volumes after that, available in paperback. How old are these messages, and can we preserve them for study? Very old and no.

Even without pole shift, these areas are about to be submerged from rising ocean levels. Count in pole shift where all of New Jersey is about to go under water permanently, and you can see there is no likelihood of this becoming the national park it really should be. Just as Nazca has been featured in the history channel series "Ancient Aliens" and is the best known proof of ET presence on Earth as popularized by Von Daniken, so too could these hieroglyphs and symbols be proof.

So what is 'proof'? We have to remember that on the ground these are nothing but a series of open water wet spots in a marsh, and appear to have no meaning. But from the air they make a pattern of an unmistakable message. Surely salt marshes are alive and growing, and the width of these lines narrows as plants expand; but even with what is left, this is a spectacular site. Also, rising sea levels may have overtaken and obscured many sections of the 'message' but THIS IS NOT NATURAL.

Anyone can theorize that these things are many different things. But being visible only from the air means that flight was necessary to appreciate them. And who had the means of appreciating them from the air?

So take a look and if you have any ideas how to translate them, let me know. If you have been watching the tv show 'Jersey Shore' you know about the area just east of the hieroglyphs. If you live near there and have hip waders, you might walk to the end of Taylor Lane and try to cross the channel at low tide to look at the symbols up close. But be careful, that marsh is all muck and you do not want to get stuck or lost. From the ground there is very little to indicate where you are or where you might be able to go. Based on my experiences with salt marshes, the only time to go is low tide and you could consider it a tip for your safety to keep out of there! Things change when the tide comes in and all of a sudden you cannot see where to put your feet.

A marsh like that can be quicksand. This only makes it more likely an ancient civilization with very high technology made them. Far enough back in time this may have been a dry field, flat and a perfect canvas for messages. But then, where did all the dirt they scooped out go? As you can see, there are no berms or spoil piles of what was removed to make them. This is our national Nazca, and all we will have are photographs from space. Too bad.

As I have said before, Nancy Lieder telepathically answers some written questions by submitting them to the human ET Zetas who give her an answer. Here I had a question about the hieroglyphs at Marshelder Island so I asked her and got the following answer. It makes sense and is very logical, and until you prove differently, I am saying that IS the answer.

On a related topic, if I can ask questions so can you. First of all you have to go to http://poleshift.ning.com and join. Then you should be asking only new questions not asked before. To learn what has been asked, go to http://Zetatalk.com and start reading. Personal questions are not allowed. Questions relating to pole shift are the main focus, with contacting ETs being of equal importance to the issue of spiritual orientation and coming dimensional change. If you want to see an index of previous weekly 'chat' questions and answers go to http://poleshift.ning.com/forum/categories/zetatalk-1/listForCategory

As I have said before, you cannot make this stuff up. It is the single most incredibly detailed, accurate and really, astonishing body of work since all 14,000 soul readings by Edgar Cayce were put on the internet at the A.R.E. website in Virginia, including his predictions of pole shift.

Gordon

Found Here: http://www.ufodigest.com/article/et-annunaki-hieroglyphics-discovered-coast-new-jersey-spectacular-images-cut-salt-marsh-be-o



ET Annunaki Hieroglyphics Discovered On Coast Of New Jersey: Spectacular Images Cut Into A Salt Marsh To Be Only Seen And Recognized From The Air: Photos




"SOZT
As with the Nazca, Peru hieroglyphs, these designs in New Jersey were meant to be seen from the sky. The hieroglyphs in Peru are high desert and thus survived, while New Jersey has steadily lost elevation during past pole shifts. If the waters of the world were to recede, there would be many MORE such sites with hieroglyphs emerging.



"The "Spider" at the Nazca Lines, Peru.

Their purpose was to guide the rocket ships that shuttled between Earth and the Annunaki home planet, Nibiru. The Annunaki would unload the gold that had been collected on Earth, refresh or replace the mining crews on Earth and load them up with supplies, and then wait on their home planet for the passage.



All this had to be done AHEAD of the passage, as the outbound Nibiru (aka Planet X) takes off quickly after the actual passage, and the last weeks create too much turmoil for a shuttle to be in transit.



Then the pole shift, and Earth’s geography would be altered, and then the LONG period before they would return again to collect more gold. There was no TIME to draw new maps. The various places on Earth, with their various hieroglyphs, would aid the returning shuttles next time around to understand what PART of the globe they were flying over.
EOZT





Best regards,.
Bob Taft
"We hang the petty thieves and appoint
the great ones to public office." Aesop
http://www.freedomclubusa.com/the_tun
http://www.rumormillnews.com/cgi-bin/archive.cgi?read=74897 "

Found Here: http://disc.yourwebapps.com/discussion.cgi?disc=149495;article=134042;

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