Showing posts with label archeology. Show all posts
Showing posts with label archeology. Show all posts

Thursday, August 4, 2011

Leo Petroglyph

Leo Petroglyph is located in Jackson County near Leo, Ohio. It is actually a series of petroglyphs, or rock carvings, ancient Indians chiseled into an outcropping of sandstone in southeastern Ohio.

The precise age of these carvings is unknown. Based on the symbolism and the amount of weathering of the generally soft sandstone, they probably are less than one thousand years old and so likely are the work of the Late Prehistoric period Fort Ancient culture, or the early Historic Indians.

There are between thirty and forty different designs carved on the rock, including human figures, birds, a snake, a fish, human footprints, and bear paw prints.

The most arresting image on the petroglyph panel is a human head with horns or antlers and small bird's feet. The image may represent a shaman, or medicine man, transformed into a supernatural being.

David Zeisberger, the Moravian missionary, described symbols painted on trees by Ohio's Delaware Indians as "hieroglyphics" that are "understood by the Indians who know how to read their meaning." Unfortunately, we do know the full meaning of the inscriptions at Leo Petroglyph.

Leo Petroglyph is listed on the National Register of Historic Places.

Found Here: http://www.ohiohistorycentral.org/entry.php?rec=2751

The Leo Petroglyph is a sandstone petroglyph containing 37 images of humans and animals as well as footprints of each. The petroglyph is located near the small village of Leo, Ohio (in Jackson County, Ohio) and is thought to have been created by the Fort Ancient peoples (possibly AD 1000-1650). The area in which the sandstone petroglyph was found is on the edge of an unglaciated Mississippian sandstone cliff 20–65 feet high. To this day, the meanings of the drawings are unknown. On November 10, 1970, it was added to the National Register of Historic Places. The site is maintained by the Ohio Historical Society.

Found Here: http://en.wikipedia.org/wiki/Leo_Petroglyph

Tuesday, March 8, 2011

Ctesiphon, the Arch - Baghdad Battery

The Arch of Ctesiphon

Mud brick was the most common building material in Mesopotamia, until the advent of modern concrete. Baked bricks were only used for major projects such as the arch at Ctesiphon, just outside Baghdad, part of a palace built by Sasanian kings in the sixth century AD.

The Sasanians were an Iranian dynasty, but they used traditional Mesopotamian building techniques. The arch, a huge open audience hall 30m (98ft) high and some 43m (141ft) long, should have required massive scaffolding, but the Mesopotamians leant the courses of brickwork back at an angle, so that each course was built against its predecessor, and only a mobile tower for the builders was necessary. The arch was flanked by façades decorated with blank arcading and pilasters, but the one on the right collapsed a century ago.

Found Here: http://www.bbc.co.uk/history/ancient/cultures/mesopotamia_gallery_12.shtml

Ctesiphon, the imperial capital of the Parthian Arsacids and of the Persian Sassanids, was one of the great cities of ancient Mesopotamia. In the 6th century, Ctesiphon was the largest city in the world.[1]

The ruins of the city are located on the east bank of the Tigris, across the river from the Hellenistic city of Seleucia. Today, the remains of both cities lie in Iraq, approximately 35 km south of the city of Baghdad

The Latin name Ctesiphon or Ctesifon (pronounced /ˈtɛsɨfɒn/) derives from Greek KtēsiphōnΚτησιφῶν), a Hellenized form of a local name that has been reconstructed as Tosfōn or Tosbōn.[2] In Iranian sources of the Sassanid period it is attested in Manichean Parthian, in Sassanid Middle Persian and in Christian Sogdian as Pahlavi tyspwn, continuing in New PersianTisfun (تيسفون). In medieval Arabic texts the name is usually Ṭaysafūn (طيسفون) or Qaṭaysfūnal-Mada'in (المدائن). "According to Yāqūt [...], quoting Ḥamza, the original form was Ṭūsfūn or Tūsfūn, which was arabicized as Ṭaysafūn."[3] The Armenian name of the city was Tizbon (Տիզբոն). Ctesiphon is first mentioned in the Book of Ezra of the Old Testament as Kasfia/Casphia (a derivative of the ethnic name, Cas, and a cognate of Caspian and Qazvin).

Ctesiphon rose to prominence during the Parthian Empire in the 1st century BC, and was the seat of government for most of its rulers. The city was located near Seleucia, the Hellenistic capital. Strabo abundantly describes its foundation:

In ancient times Babylon was the metropolis of Assyria; but now Seleuceia is the metropolis, I mean the Seleuceia on the Tigris, as it is called. Near by is situated a village called Ctesiphon, a large village. This village the kings of the Parthians were wont to make their winter residence, thus sparing the Seleuceians, in order that the Seleuceians might not be oppressed by having the Scythian folk or soldiery quartered amongst them. Because of the Parthian power, therefore, Ctesiphon is a city rather than a village; its size is such that it lodges a great number of people, and it has been equipped with buildings by the Parthians themselves; and it has been provided by the Parthians with wares for sale and with the arts that are pleasing to the Parthians; for the Parthian kings are accustomed to spend the winter there because of the salubrity of the air, but they summer at Ecbatana and in Hyrcania because of the prevalence of their ancient renown.[4]

( as (قطيسفون), in Modern Arabic

Because of its importance, Ctesiphon was a major military objective for the leaders of the Roman Empire in its eastern wars. The city was captured by Rome or by its successor state, the Byzantine Empire, five times in its history, three times in the 2nd century alone. The emperor Trajan captured Ctesiphon in 116, but his successor, Hadrian, decided to willingly return Ctesiphon, in 117, as part of a peace settlement. The Roman general Avidius Cassius captured Ctesiphon during another Parthian war in 164, but abandoned it when peace was concluded. In 197, the emperor Septimius Severus sacked Ctesiphon and carried off thousands of its inhabitants, whom he sold into slavery.

Late in the 3rd century, after the Parthians had been supplanted by the Sassanids, the city again became a source of conflict with Rome. In 283, emperor Carus sacked the city uncontested during a period of civil upheaval. In 295, emperor Galerius was defeated outside the city. However, he returned a year later with a vengeance and won a tremendous victory which ended in the fifth and final capture of the city by the Romans in 299. He returned it to the Persian king Narses in exchange for Armenia and western Mesopotamia. In c.325 and again in 410, the city, or the Greek colony directly across the river, was the site of church councils for the Church of the East.

Emperor Julian was killed following a battle outside of the city walls, in 363, during his war against Shapur II. Finally, in 627, the Byzantine Emperor Heraclius surrounded the city, the capital of the Sassanid Empire, leaving it after the Persians accepted his peace terms.

Ctesiphon fell to the Muslims during the Islamic conquest of Persia in 637 under the military command of Sa'ad ibn Abi Waqqas during the caliphate of Umar. However, the general population was not harmed but the palaces and their archives were burned. Still, as political and economic fortune had passed elsewhere, the city went into a rapid decline, especially after the founding of the Abbasid capital at Baghdad in the 8th century, and soon became a ghost town. It is believed to be the basis for the city of Isbanir in the Thousand and One Nights.

The ruins of Ctesiphon were the site of a major battle of World War I in November 1915. The Ottoman Empire defeated troops of Britain attempting to capture Baghdad, and drove them back some 40 miles (64 km) before trapping the British force and compelling it to surrender.

Found Here: http://en.wikipedia.org/wiki/Ctesiphon

The Baghdad Battery

These strange artefacts were originally discovered in 1936 during an archaeological dig at village of Khuyut Rabbou'a which is located approximately 20 miles south east of the city centre of modern Baghdad and close to the Arch of Ctesiphon. Described as 13 – 14cm in height they contained a copper cylinder and within this was suspended an iron rod. In December 1939, shortly after the start of World War II a German archaeologist by the name of Wilhelm Konig came across the item in the basement of the National Museum of Iraq. He immediately recognised their similarity to galvanic batteries and published a paper that suggested that these ancient electrical devices may have been used for electroplating precious gold onto silver. It is around this time that Adolf Hitler began a serious, if eccentric, programme to study the technology of the ancients. Relatively modern films such as “Raiders of the Lost Ark” are based on this obscure reality. There is no easy explanation for the Baghdad Battery and naturally this has created controversy, debate and disagreement in the scientific community. Reconstructions of this device have proved that it could generate an electrical current of between 0.4 and 1.9 volts. Naturally, some scientists dispute these claims and argue that the reconstructions are inaccurate. (Those scientist just love a good dispute – it’s the scientific equivalent of arguing with you history teacher to make sure that everyone else notices that you’re still in the class.)

Found Here: http://www.jimsrandomwebpage.com/The%20Bagdad%20Battery.html

Some of the greatest mysteries are those that surround ancient gadgets. Because of their antiquity, we may never truly know how they were built or what their purpose was. Such is the case with the Baghdad Battery, a device unearthed in Khujut Rabu, just outside of Baghdad, in 1936. It consisted of a small clay jar containing an iron rod suspended inside of a copper cylinder. The copper cylinder was soldered shut and sealed with asphalt. Wilhelm Konig, a German archaeologist working at the National Museum of Iraq, examined the device two years after its discovery and came to the conclusion that it was an ancient battery.

Indeed, when replicas were built they were able to generate small amounts of electricity. But if the device was a battery, it would pre-date other batteries by at least a thousand years. And what, exactly, would an ancient civilization have use batteries for? For many years, experts contended that the Baghdad Battery would have been used to electroplate thin layers of gold onto silver items. That theory has fallen out of favor due to lack of evidence.

In fact, many archaeologists now believe that the Baghdad Battery had no electrical purpose at all. The usability of the ancient batteries has been proven in various scientific and entertainment arenas, but so far all that can be said is that it was possible to produce electricity with these primitive cells. Whether they were ever used for that purpose – and what, exactly, they may have powered – may never be known. Like the Antikythera Mechanism and so many other ancient gadgets, its function may be forever lost to time.

Found Here: http://gajitz.com/battery-of-mysteries-why-did-worlds-first-battery-exist/

Tuesday, February 15, 2011

Gobekli Tepe - World's Oldest Known Temple







Göbekli Tepe (Turkish for "Potbelly hill") is a hilltop sanctuary erected on the highest point of an elongated mountain ridge some 15 km northeast of the town of Şanlıurfa (formerly Urfa / Edessa) in southeastern Turkey. The site, currently undergoing excavation by German and Turkish archaeologists, was erected by hunter-gatherers in the 10th millennium BC (c. 11,500 years ago), before the advent of sedentism. Together with Nevalı Çori, it has revolutionized understanding of the Eurasian Neolithic.

Göbekli Tepe is located in southeastern Turkey. It had already been noted in an American surveyGerman Archaeological Institute (Istanbul branch) and Şanlıurfa Museum, under the direction of the German archaeologist Klaus Schmidt (1995–2000: University of Heidelberg; since 2001: German Archaeological Institute). Schmidt says that the stone fragments on the surface made him aware immediately that the site was prehistoric. Before then, the hill had been under agricultural cultivation; generations of local inhabitants had frequently moved rocks and placed them in clearance piles; much archaeological evidence may have been destroyed in the process. Scholars from the Hochschule Karlsruhe began documenting the architectural remains. They soon discovered T-shaped pillars, some of which had apparently undergone attempts at smashing.

in 1964, which recognized that the hill could not entirely be a natural feature, but assumed that a Byzantine cemetery lay beneath. Since 1994 excavations have been conducted by the

Göbekli Tepe is the oldest human-made place of worship yet discovered.[2] Until excavations began, a complex on this scale was not thought possible for a community so ancient. The massive sequence of stratification layers suggests several millennia of activity, perhaps reaching back to the Mesolithic. The oldest occupation layer (stratum III) contains monolithic pillars linked by coarsely built walls to form circular or oval structures. So far, four such buildings, with diameters between 10 and 30m have been uncovered. Geophysical surveys indicate the existence of 16 additional structures.

Stratum II, dated to Pre-Pottery Neolithic B (PPNB) (7500–6000 BC), has revealed several adjacent rectangular rooms with floors of polished lime, reminiscent of Roman terrazzo floors. The most recent layer consists of sediment deposited as the result of agricultural activity.

The monoliths are decorated with carved reliefs of animals and of abstract pictograms. The pictograms may represent commonly understood sacred symbols, as known from Neolithic cave paintings elsewhere. The carefully carved figurative reliefs depict lions, bulls, boars, foxes, gazelles, asses, snakes and other reptiles, insects, arachnids, and birds, particularly vultures and water fowl. At the time the shrine was constructed the surrounding country was much lusher and capable of sustaining this variety of wildlife, before millennia of settlement and cultivation resulted in the near–Dust Bowl conditions prevailing today.[3]

Vultures also feature in the iconography of the Neolithic sites of Çatalhöyük and Jericho; it is believed that in the early Neolithic culture of Anatolia and the Near East the deceased were deliberately exposed in order to be excarnated by vultures and other birds of prey. (The head of the deceased was sometimes removed and preserved—possibly a sign of ancestor worship.)[4]sky burial, as practiced today by Tibetan Buddhists and Zoroastrians in India.[5] This, then, would represent an early form of

Few humanoid forms have surfaced at Göbekli Tepe, but include a relief of a naked woman, posed frontally in a crouched position, that Schmidt likens to the Venus accueillante figures found in Neolithic north Africa; and of at least one decapitated corpse surrounded by vultures. Some of the pillars, namely the T-shaped ones, have carved arms, which may indicate that they represent stylized humans (or anthropomorphic gods). Another example is decorated with human hands in what could be interpreted as a prayer gesture, with a simple stole or surplice engraved above; this may be intended to represent a temple priest.

The houses or temples are round megalithic buildings. The walls are made of unworked dry stone and include numerous T-shaped monolithic pillars of limestone that are up to 3 m high. Another, bigger pair of pillars is placed in the centre of the structures. There is evidence that the structures were roofed; the central pair of pillars may have supported the roof. The floors are made of terrazzo (burnt lime), and there is a low bench running along the whole of the exterior wall.

The reliefs on the pillars include foxes, lions, cattle, wild boars, wild asses, herons, ducks, scorpions, ants, spiders, many snakes, and a very few anthropomorphic figures. Some of the reliefs have been deliberately erased, maybe in preparation for new designs. There are freestanding sculptures as well that may represent wild boars or foxes. As they are heavily encrusted with lime, it is sometimes difficult to tell. Comparable statues have been discovered at Nevalı Çori and Nahal Hemar.

The quarries for the statues are located on the plateau itself; some unfinished pillars have been found there in situ. The biggest unfinished pillar is still 6.9 m long; a length of 9m has been reconstructed. This is much larger than any of the finished pillars found so far. The stone was quarried with stone picks. Bowl-like depressions in the limestone rocks may already have served as mortars or fire-starting bowls in the epipalaeolithic. There are some phalloi and geometric patterns cut into the rock as well; their dating is uncertain.

While the structures are primarily temples, more recently smaller domestic buildings have been uncovered. Despite this, it is clear that the primary use of the site was cultic and not domestic. Schmidt believes this "cathedral on a hill" was a pilgrimage destination attracting worshipers up to a hundred miles distant. Butchered bones found in large numbers from local game such as deer, gazelle, pigs, and geese have been identified as refuse derived from hunting and food prepared for the congregants.[8]

The site was deliberately backfilled sometime after 8000 BC: the buildings are covered with settlement refuse that must have been brought from elsewhere. These deposits include flint tools like scrapers and arrowheads and animal bones. The lithic inventory is characterised by Byblos points and numerous Nemrik-points. There are Helwan-points and Aswad-points as well.

While the site formally belongs to the earliest Neolithic (PPN A), up to now no traces of domesticated plants or animals have been found. The inhabitants were hunters and gatherers[9] Schmidt speculates that the site played a key function in the transition to agriculture; he assumes that the necessary social organization needed for the creation of these structures went hand-in-hand with the organized exploitation of wild crops. For sustenance, wild cereals may have been used more intensively than before; perhaps they were even deliberately cultivated. Recent DNA analysis of modern domesticated wheat compared with wild wheat has shown that its DNA is closest in structure to wild wheat found on Mount Karaca Dağ 20 miles away from the site, leading one to believe that this is where modern wheat was first domesticated.[10] who nevertheless lived in villages for at least part of the year.

Schmidt considers Göbekli Tepe a central location for a cult of the dead. He suggests that the carved animals are there to protect the dead. Though no tombs or graves have been found so far, Schmidt believes they remain to be discovered beneath the sacred circles' floors.[11] Schmidt also interprets it in connection with the initial stages of an incipient Neolithic. It is one of several neolithic sites in the vicinity of Mount Karaca Dağ, an area where geneticists suspect the origins of at least some of our cultivated grains (see Einkorn). Such scholars suggest that the Neolithic revolution, i.e., the beginnings of grain cultivation, took place here. Schmidt and others believe that mobile groups in the area were forced to cooperate with each other to protect early concentrations of wild cereals from wild animals (herds of gazelles and wild donkeys). This would have led to an early social organization of various groups in the area of Göbekli Tepe. Thus, according to Schmidt, the Neolithic did not begin on a small scale in the form of individual instances of garden cultivation, but started immediately as a large-scale social organisation ("a full-scale revolution"[12]).

All statements about the site must be considered preliminary, as only about 5% of the site's total area has been excavated as yet; floor levels have been reached in only the second complex (complex B), which also contained a terrazzo-like floor. Schmidt believes that the dig could well continue for another fifty years, "and barely scratch the surface."[11] So far excavations have revealed very little evidence for residential use. Through the radiocarbon method, the end of stratum III can be fixed at c. 9000 BC (see above); its beginnings are estimated to 11,000 BC or earlier. Stratum II dates to about 8000 BC.

Thus, the structures not only predate pottery, metallurgy, and the invention of writing or the wheel; they were built before the so-called Neolithic Revolution, i.e., the beginning of agricultureanimal husbandry around 9000 BC. But the construction of Göbekli Tepe implies organisation of an order of complexity not hitherto associated with pre-Neolithic societies. The archaeologists estimate that up to 500 persons were required to extract the 10–20 ton pillars (in fact, some weigh up to 50 tons) from local quarries and move them 100 to 500m to the site.[13]Which came first, monumental building projects or farming? Archaeo News 14 December 2008 [1] It is generally believed that an elite class of religious leaders supervised the work and later controlled whatever ceremonies took place here. If so, this would be the oldest known evidence for a priestly caste—much earlier than such social distinctions developed elsewhere in the Near East.[11] and

Around the beginning of the 8th millennium BC "Potbelly Hill" lost its importance. The advent of agriculture and animal husbandry brought new realities to human life in the area, and the "stone-age zoo" (as Schmidt calls it) depicted on the pillars apparently lost whatever significance it had had for the region's older, foraging, communities. But the complex was not simply abandoned and forgotten, to be gradually destroyed by the elements. Instead, it was deliberately buried under 300 to 500 cubic metres of soil.[14] Why this was done is unknown, but it preserved the monuments for posterity.

Göbekli Tepe is regarded as an archaeological discovery of the greatest importance since it profoundly changes our understanding of a crucial stage in the development of human societies. It seems that the erection of monumental complexes was within the capacities of hunter-gatherers and not only of sedentary farming communities as had been previously assumed. In other words, as excavator Klaus Schmidt puts it: "First came the temple, then the city."[15] This revolutionary hypothesis will have to be supported or modified by future research.

Not only its large dimensions, but the side-by-side existence of multiple pillar shrines makes the location unique. There are no comparable monumental complexes from its time. Nevalı Çori, a well-known Neolithic settlement also excavated by the German Archaeological Institute, and submerged by the Atatürk Dam since 1992, is 500 years later, its T-shaped pillars are considerably smaller, and its shrine was located inside a village; the roughly contemporary architecture at Jericho is devoid of artistic merit or large-scale sculpture; and Çatalhöyük, perhaps the most famous of all Anatolian Neolithic villages, is 2,000 years younger.

Schmidt has engaged in some speculation regarding the belief systems of the groups that created Göbekli Tepe, based on comparisons with other shrines and settlements. He assumes shamanicancestors, whereas he sees a fully articulated belief in gods only developing later in Mesopotamia, associated with extensive temples and palaces. This corresponds well with an ancient Sumerian belief that agriculture, animal husbandry and weaving had been brought to mankind from the sacred mountain Du-Ku, which was inhabited by Annuna—deities, very ancient gods without individual names. Klaus Schmidt identifies this story as an oriental primeval myth that preserves a partial memory of the Neolithic.[16] It is also apparent that the animal and other images give no indication of organized violence, i.e., there are no depictions of hunting raids or wounded animals, and the pillar carvings ignore game on which the society mainly subsisted, like deer, in favor of formidable creatures such as lions, snakes, spiders and scorpions.[17][18][19] practices and suggests that the T-shaped pillars may represent mythical creatures, perhaps

At present, Göbekli Tepe raises more questions for archaeology and prehistory than it answers. We do not know how a force large enough to construct, augment, and maintain such a substantial complex was mobilized and paid or fed in the conditions of pre-Neolithic society. We cannot "read" the pictograms, and do not know for certain what meaning the animal reliefs had for visitors to the site; the variety of fauna depicted, from lions and boars to birds and insects, makes any single explanation problematic. As there seems to be little or no evidence of habitation, and the animals depicted on the stones are mainly predators, the stones may have been intended to stave off evils through some form of magic representation; it is also possible that they served as totems.[20] It is not known why more and more walls were added to the interiors while the sanctuary was in use, with the result that some of the engraved pillars were obscured from view. Burial may or may not have occurred at the site. The reason the complex was eventually buried remains unexplained. Until more evidence is gathered, it is difficult to deduce anything certain about the originating culture.

Found Here: http://en.wikipedia.org/wiki/G%C3%B6bekli_Tepe

Six miles from Urfa, an ancient city in southeastern Turkey, Klaus Schmidt has made one of the most startling archaeological discoveries of our time: massive carved stones about 11,000 years old, crafted and arranged by prehistoric people who had not yet developed metal tools or even pottery. The megaliths predate Stonehenge by some 6,000 years. The place is called Gobekli Tepe, and Schmidt, a German archaeologist who has been working here more than a decade, is convinced it's the site of the world's oldest temple.

"Guten Morgen," he says at 5:20 a.m. when his van picks me up at my hotel in Urfa. Thirty minutes later, the van reaches the foot of a grassy hill and parks next to strands of barbed wire. We follow a knot of workmen up the hill to rectangular pits shaded by a corrugated steel roof—the main excavation site. In the pits, standing stones, or pillars, are arranged in circles. Beyond, on the hillside, are four other rings of partially excavated pillars. Each ring has a roughly similar layout: in the center are two large stone T-shaped pillars encircled by slightly smaller stones facing inward. The tallest pillars tower 16 feet and, Schmidt says, weigh between seven and ten tons. As we walk among them, I see that some are blank, while others are elaborately carved: foxes, lions, scorpions and vultures abound, twisting and crawling on the pillars' broad sides.

Schmidt points to the great stone rings, one of them 65 feet across. "This is the first human-built holy place," he says.

From this perch 1,000 feet above the valley, we can see to the horizon in nearly every direction. Schmidt, 53, asks me to imagine what the landscape would have looked like 11,000 years ago, before centuries of intensive farming and settlement turned it into the nearly featureless brown expanse it is today.

Prehistoric people would have gazed upon herds of gazelle and other wild animals; gently flowing rivers, which attracted migrating geese and ducks; fruit and nut trees; and rippling fields of wild barley and wild wheat varieties such as emmer and einkorn. "This area was like a paradise," says Schmidt, a member of the German Archaeological Institute. Indeed, Gobekli Tepe sits at the northern edge of the Fertile Crescent—an arc of mild climate and arable land from the Persian Gulf to present-day Lebanon, Israel, Jordan and Egypt—and would have attracted hunter-gatherers from Africa and the Levant. And partly because Schmidt has found no evidence that people permanently resided on the summit of Gobekli Tepe itself, he believes this was a place of worship on an unprecedented scale—humanity's first "cathedral on a hill."

With the sun higher in the sky, Schmidt ties a white scarf around his balding head, turban-style, and deftly picks his way down the hill among the relics. In rapid-fire German he explains that he has mapped the entire summit using ground-penetrating radar and geomagnetic surveys, charting where at least 16 other megalith rings remain buried across 22 acres. The one-acre excavation covers less than 5 percent of the site. He says archaeologists could dig here for another 50 years and barely scratch the surface.

Gobekli Tepe was first examined—and dismissed—by University of Chicago and Istanbul University anthropologists in the 1960s. As part of a sweeping survey of the region, they visited the hill, saw some broken slabs of limestone and assumed the mound was nothing more than an abandoned medieval cemetery. In 1994, Schmidt was working on his own survey of prehistoric sites in the region. After reading a brief mention of the stone-littered hilltop in the University of Chicago researchers' report, he decided to go there himself. From the moment he first saw it, he knew the place was extraordinary.

Unlike the stark plateaus nearby, Gobekli Tepe (the name means "belly hill" in Turkish) has a gently rounded top that rises 50 feet above the surrounding landscape. To Schmidt's eye, the shape stood out. "Only man could have created something like this," he says. "It was clear right away this was a gigantic Stone Age site." The broken pieces of limestone that earlier surveyors had mistaken for gravestones suddenly took on a different meaning.

Found Here: http://www.smithsonianmag.com/history-archaeology/gobekli-tepe.html

As a child, Klaus Schmidt used to grub around in caves in his native Germany in the hope of finding prehistoric paintings. Thirty years later, representing the German Archaeological Institute, he found something infinitely more important -- a temple complex almost twice as old as anything comparable on the planet.

"This place is a supernova", says Schmidt, standing under a lone tree on a windswept hilltop 35 miles north of Turkey's border with Syria. "Within a minute of first seeing it I knew I had two choices: go away and tell nobody, or spend the rest of my life working here."

Behind him are the first folds of the Anatolian plateau. Ahead, the Mesopotamian plain, like a dust-colored sea, stretches south hundreds of miles to Baghdad and beyond. The stone circles of Gobekli Tepe are just in front, hidden under the brow of the hill.

Compared to Stonehenge, Britain's most famous prehistoric site, they are humble affairs. None of the circles excavated (four out of an estimated 20) are more than 30 meters across. What makes the discovery remarkable are the carvings of boars, foxes, lions, birds, snakes and scorpions, and their age. Dated at around 9,500 BC, these stones are 5,500 years older than the first cities of Mesopotamia, and 7,000 years older than Stonehenge.

Never mind circular patterns or the stone-etchings, the people who erected this site did not even have pottery or cultivate wheat. They lived in villages. But they were hunters, not farmers.

"Everybody used to think only complex, hierarchical civilizations could build such monumental sites, and that they only came about with the invention of agriculture", says Ian Hodder, a Stanford University Professor of Anthropology, who, since 1993, has directed digs at Catalhoyuk, Turkey's most famous Neolithic site. "Gobekli changes everything. It's elaborate, it's complex and it is pre-agricultural. That fact alone makes the site one of the most important archaeological finds in a very long time."

With only a fraction of the site opened up after a decade of excavations, Gobekli Tepe's significance to the people who built it remains unclear. Some think the site was the center of a fertility rite, with the two tall stones at the center of each circle representing a man and woman.

It's a theory the tourist board in the nearby city of Urfa has taken up with alacrity. Visit the Garden of Eden, its brochures trumpet, see Adam and Eve.

Schmidt is skeptical about the fertility theory. He agrees Gobekli Tepe may well be "the last flowering of a semi-nomadic world that farming was just about to destroy," and points out that if it is in near perfect condition today, it is because those who built it buried it soon after under tons of soil, as though its wild animal-rich world had lost all meaning.

But the site is devoid of the fertility symbols that have been found at other Neolithic sites, and the T-shaped columns, while clearly semi-human, are sexless. "I think here we are face to face with the earliest representation of gods", says Schmidt, patting one of the biggest stones. "They have no eyes, no mouths, no faces. But they have arms and they have hands. They are makers."

"In my opinion, the people who carved them were asking themselves the biggest questions of all," Schmidt continued. "What is this universe? Why are we here?"

With no evidence of houses or graves near the stones, Schmidt believes the hill top was a site of pilgrimage for communities within a radius of roughly a hundred miles. He notes how the tallest stones all face southeast, as if scanning plains that are scattered with archeological sites in many ways no less remarkable than Gobekli Tepe.

Last year, for instance, French archaeologists working at Djade al-Mughara in northern Syria uncovered the oldest mural ever found. "Two square meters of geometric shapes, in red, black and white - a bit like a Paul Klee painting," explains Eric Coqueugniot, the University of Lyon archaeologist who is leading the excavation.

Coqueugniot describes Schmidt's hypothesis that Gobekli Tepe was meeting point for feasts, rituals and sharing ideas as "tempting," given the site's spectacular position. But he emphasizes that surveys of the region are still in their infancy. "Tomorrow, somebody might find somewhere even more dramatic."

Director of a dig at Korpiktepe, on the Tigris River about 120 miles east of Urfa, Vecihi Ozkaya doubts the thousands of stone pots he has found since 2001 in hundreds of 11,500 year-old graves quite qualify as that. But his excitement fills his austere office at Dicle University in Diyarbakir.

"Look at this", he says, pointing at a photo of an exquisitely carved sculpture showing an animal, half-human, half-lion. "It's a sphinx, thousands of years before Egypt. Southeastern Turkey, northern Syria - this region saw the wedding night of our civilization."

Found Here: http://www.eurasianet.org/departments/insight/articles/eav041708a.shtml













Wednesday, November 17, 2010

Annunaki Hieroglyphics - New Jersey Coast


Canal Complexes in America .................. This site is a review of some empirical evidence that will forever change the history of pre-diluvial America, shifting our paradigm from what we think we know about America to a whole new standard of 'Truth' about pre-historic civilizations on the North American continent.

Ancient Cities on our Coasts .... ...... .... .There are hundreds of miles of coastline, from Maine to Florida, continuing across the Gulf States including Texas and parts of Mexico, that are covered with vestiges and remnants of a very sophisticated, enormously large water borne culture or civilization that existed BEFORE current sea level rose an average of 12 to 25 feet, or more.

Sophisticated Geo Engineers: Add Image The evidence you are about to see, shows nearly every swampy piece of marsh land on most of the Eastern US Coast and Gulf of Mexico, to have been 'worked' and 'inhabited' by a very large, very sophisticated population of canal builders during some remote pre-flood period.

Found Here: http://www.ancientcanalbuilders.com/index.html

I was perusing the site Ancient Canal Builders Dot Com and came across these incredible hieroglyphics on Marshelder Island, New Jersey. The site is focusing on ancient coastal canals and it is clear that drainage canals and canals for other purposes were cut into almost the entire east coast of the United States. Now you do not need ETs or Atlanteans to explain them. Clearly, without any documents detailing this work, it predates 'history' and therefore could have been done by anyone, almost. I say almost because one section of the canals are not canals but lines defining various messages.

Now I do know about you, but if you have ever been in a salt marsh, the idea of creating a canal is a monumental task. The water table comes right up to the base of the marsh plants, and is a spongy, soft, wet mess to try to cut into. Even if you remove some of the mats of vegetation and the mud, just to put it into a wheelbarrow makes the wheelbarrow too heavy to move, as the wheels sink into the muck, that is, if you could even get a wheelbarrow into the area to begin with. In Louisiana, at the mouth of the Mississippi, huge canals, thousands of miles of them, were cut by floating barges starting in open water and cutting and dredging their way into areas where drilling for oil would occur. So the task in Mississippi required massive machinery and the canals all connect to deep water where the machinery came from.

So you see from the attached photos that we could have a similar explanation for these ancient canals. Whether that is actually the explanation for these ancient canals is another matter.

But all of a sudden if you zoom in on Google Earth, you see hieroglyphs set into lines with Sumerian measurements. Not to say the Sumerians made the lines, but what is that between the lines? It is hieroglyphs of a type not known previously. As far as I know, there is no interpretation of what these say, nor is there any expert who was ever aware of, studied, or made conclusions about them. Perhaps the messages are in Sumerian. Perhaps they predate the Sumerians, as Sumeria or Sumer is dated to 5,000 years ago. But Sumerian tablets describe the Annunaki, Niburu and mining for gold and creating us as slaves, going back a million years. You would know this if you have read any of the recently deceased Zecharia Sitchin books about what those tablets say, including "The Twelfth Planet" and seven more volumes after that, available in paperback. How old are these messages, and can we preserve them for study? Very old and no.

Even without pole shift, these areas are about to be submerged from rising ocean levels. Count in pole shift where all of New Jersey is about to go under water permanently, and you can see there is no likelihood of this becoming the national park it really should be. Just as Nazca has been featured in the history channel series "Ancient Aliens" and is the best known proof of ET presence on Earth as popularized by Von Daniken, so too could these hieroglyphs and symbols be proof.

So what is 'proof'? We have to remember that on the ground these are nothing but a series of open water wet spots in a marsh, and appear to have no meaning. But from the air they make a pattern of an unmistakable message. Surely salt marshes are alive and growing, and the width of these lines narrows as plants expand; but even with what is left, this is a spectacular site. Also, rising sea levels may have overtaken and obscured many sections of the 'message' but THIS IS NOT NATURAL.

Anyone can theorize that these things are many different things. But being visible only from the air means that flight was necessary to appreciate them. And who had the means of appreciating them from the air?

So take a look and if you have any ideas how to translate them, let me know. If you have been watching the tv show 'Jersey Shore' you know about the area just east of the hieroglyphs. If you live near there and have hip waders, you might walk to the end of Taylor Lane and try to cross the channel at low tide to look at the symbols up close. But be careful, that marsh is all muck and you do not want to get stuck or lost. From the ground there is very little to indicate where you are or where you might be able to go. Based on my experiences with salt marshes, the only time to go is low tide and you could consider it a tip for your safety to keep out of there! Things change when the tide comes in and all of a sudden you cannot see where to put your feet.

A marsh like that can be quicksand. This only makes it more likely an ancient civilization with very high technology made them. Far enough back in time this may have been a dry field, flat and a perfect canvas for messages. But then, where did all the dirt they scooped out go? As you can see, there are no berms or spoil piles of what was removed to make them. This is our national Nazca, and all we will have are photographs from space. Too bad.

As I have said before, Nancy Lieder telepathically answers some written questions by submitting them to the human ET Zetas who give her an answer. Here I had a question about the hieroglyphs at Marshelder Island so I asked her and got the following answer. It makes sense and is very logical, and until you prove differently, I am saying that IS the answer.

On a related topic, if I can ask questions so can you. First of all you have to go to http://poleshift.ning.com and join. Then you should be asking only new questions not asked before. To learn what has been asked, go to http://Zetatalk.com and start reading. Personal questions are not allowed. Questions relating to pole shift are the main focus, with contacting ETs being of equal importance to the issue of spiritual orientation and coming dimensional change. If you want to see an index of previous weekly 'chat' questions and answers go to http://poleshift.ning.com/forum/categories/zetatalk-1/listForCategory

As I have said before, you cannot make this stuff up. It is the single most incredibly detailed, accurate and really, astonishing body of work since all 14,000 soul readings by Edgar Cayce were put on the internet at the A.R.E. website in Virginia, including his predictions of pole shift.

Gordon

Found Here: http://www.ufodigest.com/article/et-annunaki-hieroglyphics-discovered-coast-new-jersey-spectacular-images-cut-salt-marsh-be-o



ET Annunaki Hieroglyphics Discovered On Coast Of New Jersey: Spectacular Images Cut Into A Salt Marsh To Be Only Seen And Recognized From The Air: Photos


ANUNNAKI SIGNS

"SOZT
As with the Nazca, Peru hieroglyphs, these designs in New Jersey were meant to be seen from the sky. The hieroglyphs in Peru are high desert and thus survived, while New Jersey has steadily lost elevation during past pole shifts. If the waters of the world were to recede, there would be many MORE such sites with hieroglyphs emerging.

NAZCA SPIDER

"The "Spider" at the Nazca Lines, Peru.

Their purpose was to guide the rocket ships that shuttled between Earth and the Annunaki home planet, Nibiru. The Annunaki would unload the gold that had been collected on Earth, refresh or replace the mining crews on Earth and load them up with supplies, and then wait on their home planet for the passage.

SPACE

All this had to be done AHEAD of the passage, as the outbound Nibiru (aka Planet X) takes off quickly after the actual passage, and the last weeks create too much turmoil for a shuttle to be in transit.



Then the pole shift, and Earth’s geography would be altered, and then the LONG period before they would return again to collect more gold. There was no TIME to draw new maps. The various places on Earth, with their various hieroglyphs, would aid the returning shuttles next time around to understand what PART of the globe they were flying over.
EOZT

NIBIRU2



Best regards,.
Bob Taft
"We hang the petty thieves and appoint
the great ones to public office." Aesop
http://www.freedomclubusa.com/the_tun
http://www.rumormillnews.com/cgi-bin/archive.cgi?read=74897 "

Found Here: http://disc.yourwebapps.com/discussion.cgi?disc=149495;article=134042;


Thursday, November 11, 2010

Puma Punku








Pumapunku, also called “Puma Pumku” or “Puma Puncu”, is part of a large temple complex or monument group that is part of the Tiwanaku Site near Tiwanaku, Bolivia. In Aymara, its name means, “The Door of the Cougar”. The processes and technologies involved in the creation of these temples are still not fully understood by modern scholars. Our current ideas of the Tiwanaku culture hold that they had no writing system and also that the invention of the wheel was most likely unknown to them. The architectural achievements seen at Pumapunku are striking in light of the presumed level of technological capability available during its construction. Due to the monumental proportions of the stones, the method by which they were transported to Pumapunku has been a topic of interest since the temple's discovery.

Of course there is no certainty that this was the reason as the ancient builders left no written records. All the legends have been handed down through the generations.

Found Here: http://www.world-mysteries.com/mpl_6.htm


They are arguably the oldest, and most baffling ruins on the face of the Earth. It is hard to imagine how they did not come to be known as one of the wonders of the world like the Great Pyramid. Spectacular in its own right, the Great Pyramid is, yet it pales in comparison to the ruins of Puma Punku in Tiahuanaco, in South America.

The ruins of Puma Punku are one of four structures in the ancient city of Tiahuanaco. The others three structures are; The Akapana Pyramid, the Kalasasaya Platform, and the Subterranean Temple.

Even with modern day technology and information, these structures defy logic, and confound those who seek to solve the mysteries that lie within them. The ruins of Puma Punku are said to be the most fascinating, and most confusing of all.

Who built these structures?

How were these structures built?

Why were these structures built?

These are all questions on the minds of those researching these ancient structures, and they are not easily answerable, if they can even be answered at all.

Puma Punku

If pyramids were more than difficult to create several thousand years ago, then how much more difficult would it have been to build Puma Punku?

Puma Punku is believed to have once contained a great wharf, and a massive four part structure. Yet all that remains today are megalithic ruins from some cataclysmic event in history. A great earthquake? A comet that came too close to the Earth? A worldwide flood? These are all possible causes to the destruction of the once great structure that is now the ruins of Puma Punku.

Not only is there evidence to support the claim of a cataclysmic flood, but there is even evidence to support the theory that people once lived there before such a flood even occurred. The suspected flood could have happened somewhere around 12,000 years ago, and there is scientific evidence of tools, bones, and other material within flood alluvia, which suggests that a civilized people were there prior to any flood. Other evidence, that being carvings of bearded people that are not Andean, have been recorded throughout the area.

Could the ruins of Puma Punku be evidence of a long lost civilization?

What Makes The Ruins Unique?

It is highly unlikely that any of the stones in Puma Punku were cut using ancient stone cutting techniques, at least not those that we are aware of.

The stones in Puma Punku are made up of granite, and diorite, and the only stone that is harder that those two, is the diamond. If the people who built this place cut these stones using stone cutting techniques, then they would had to have used diamond tools.

If they didn't use diamonds to cut these stones, then what did they use?

Not only were these stones really hard to cut, but they are also extremely heavy. One of these stone ruins weighs in at about 800 tons! These are big stones, and they are really heavy. The nearest quarry is at least 10 miles away from the site of the ruins. How in the world did these people move these blocks that weighed many tons, and how were they able to form a structure with them?

With the technology that we currently have today, it would be extremely difficult to recreate the site of these ruins, if possible at all. If we can't do it, then how did these ancient people accomplish this task? This could have taken place anywhere from 500 b.c. all the way back to the Ice Age.

These ancient people had to have been very sophisticated, knowing astronomy, geomancy, and mathematics. However, there are no records of this work. To build a place like Puma Punku, there must have been significant planning, and writing involved, but there is no record of any of this.

Interlocking Stones

There is one more significant thing to mention regarding the ruins of Puma Punku. Not only were these stones cut somehow, but they were finely cut. The cuts on these stones are perfectly straight. The holes cored into these stones are perfect, and all of equal depth.

How is it that these ancient people were able to cut stones like this?

It is as if only master builders were allowed to come in and construct Puma Punku. All of the blocks are cut so that they interlock, and fit together like a puzzle. There is no mortar. There are only great stones that once fit together creating a structure some four levels high.

If these people could have moved these large stones to this precise location, then obviously they also had a way to place them one on top of another, but how in the world was this accomplished?

There are no trees in the area, the nearest quarry is at least 10 miles away, and we have no records as to how any of this could have been done. As far as most are concerned, there is no way that the Andean people could have done this 2500 years ago. If they couldn't have done it, how is it possible that an even older group of people accomplished it?

Who Did All This???

The simple answer; we have absolutely no idea who did all this, or even how they could have done it.

There have been a few suggestions, but as you could imagine, they are widely criticized for the most part.

One suggestion has been made that there had to have been some kind of ancient aliens who interceded on humanity's behalf, and our ancestors learned how to do all of this from them.

There are actual records of mythical origin, regarding gods and the part that they took in the creation of these places. Not sure how we have certain mythical records, yet no records of plans or writing that contributed to the creation of these places?

Another suggestion, is that a cataclysmic event such as a flood, wiped out these ancient peoples along with any records they may have kept. There is some evidence to support this suggestion. Perhaps these ancient people were technologically advanced at some point, and all but a few were wiped out by a major flood. The remnant would have had to start civilization all over again, and of course the ancient records would be lost.

These may be stretches of the imagination, but places like Puma Punku were constructed somehow, and if it would be very difficult for us today to build a place like Puma Punku, then how did these ancient people accomplish it?

Did they have advanced technology similar to ours, and then die off?

Maps have been found that would seem to support this theory. Maps such as the Piri Reis (1513), and the Oronteus Finaeus (1531), have been found that pre-date European discoveries. Not only are these maps precise, but they seem to claim that they are copies from even older maps.

These maps show the coastline of South America, rivers, and even part of Antarctica which was not thought to have been mapped until 1818. These maps contain landmarks, as well as depictions of the areas which appear to be very accurate. Some people don't believe that these maps could have been made without flying over these areas in the sky.

Just how much did these ancient people know, and what were they able to do?

The Bible records a worldwide flood that killed off everyone except for Noah, and his family. Some legends claim that there have been a total of 4 cataclysmic events that have wiped out the majority of the worlds population thus far.

Is this what happened to these ancient people who built Puma Punku?

To this day, it remains an ancient mystery.

Found Here: http://hubpages.com/hub/Ancient-Mysteries-Puma-Punku-in-Tiahuanaco

THE PORT OF PUMA PUNKU
Strangely, Tiahuanacu appears to be a seaport (Posnansky, 1945), although the nearest body of water is Lake Titicaca, some 12-15 miles away (the distance depends on the level of the lake). There are several theories about how this happens to be. We will consider only one here. On the rock cliffs near the piers and warfs of the port area are yellow-white calcareous deposits forming long, straight lines indicating pre-historic water levels. These ancient shorelines are strangely tilted, although they must have once been level. The surrounding area is covered with millions of fossilized sea-shells. It appears, from the tilting of the ancient shoreline striations and the abundant presence of fossilized oceanic flora and fauna, that a tremendous uplift of land has taken place sometime in the ancient past. Geologists estimate that this happened roughly around 100 million years ago; but the data gathered from archeological and astronomical investigations indicate a different story.
Oceanic creatures live to this day in abundance in the salty waters of the lake, indicating that it was once a part of the ocean, although it is now over 2 miles above sea-level. What appears to be the original seashore is strangely tilted, as if a tremendous geological upheaval has taken place.
The port of Tiahuanacu, called Puma Punku or "Door of the Puma," is an area filled with enormous stone blocks scattered hither and yon like matchsticks, and weighing between 100 and 150 tons! One block still in place weighs an estimated 440 tons! One wonders, how were these blocks quarried, how were they transported from the quarries to the building site, and how did the builders manage to place these huge blocks so skillfully to form this massive complex of megalithic buildings? And above all, what tremendous forces of nature tumbled these gigantic stones over one another as if they were light as driftwood? Archeologists have not answered these questions.
The blocks, many of them weighing upwards of 200 tons, are in some cases held together by large metalic, I-shaped couplers, rather than enterlocking shapes as at Sacsahuaman or at Cuzco. Others were held together by silver rivets. The system used here is reminiscent of that used in the Egyptian ruins on Elephantine Island on the Nile. Most researchers believe that the metal was actually poured into I-shaped slots carved into the rock.
Some of the docks and piers in this area are so large that hundreds of ships could dock comfortably; yet there is nothing "oceanic" near these docks except a prehistoric coastline indicated by chalky deposits of ancient salt water fossils. Lake Titicaca, languishing miles away, is nearly 100 feet lower than the ruined docks. What tremendous geological upheaval has occurred in the last thousand years that could have tumbled these huge stones while heaving the entire altiplano region 2 miles into the sky? None at that recent date. But could a sudden, violent tilt of the axis of the earth occuring some 12,000 years ago have been responsible? Geologist will not admit to such an occurance in spite of the evidence (see my Geology and/or Paleontology page).

THE CEREMONIAL CENTER
A quarter of a mile or so northeast of the port area are the temples, pyramids and palaces of the main city of Tiahuanacu. (Recent excavation is turning up evidence of a population of 30,000 to 40,000 people, although this may represent a much later influx of settlers.) The main part of the city consists of several buildings. The placement and proximity of several of them--the Acapana Pyramid, the Kalasasaya, the semi-Subterranean Temple, and a so-called "Palace"--indicate that they are components of a ceremonial center.

Tiahuanacu is in the Bolivian Andes lying 12,500 feet (over 2 miles) above sea-level. It is located several miles from the shores of Lake Titicaca. Archeology in general dates the city at c. 200 A.D., but it was not always so. Its first investigator, Prof. Arthur Posnansky, a Polish engineer who dedicated fifty years to its study, dated its origins to 15,000 B.C. As we shall see, this date is based on the convergence of several varieties of physical and astronomical data.

THE PORT OF PUMA PUNKU
Strangely, Tiahuanacu appears to be a seaport (Posnansky, 1945), although the nearest body of water is Lake Titicaca, some 12-15 miles away (the distance depends on the level of the lake). There are several theories about how this happens to be. We will consider only one here. On the rock cliffs near the piers and warfs of the port area are yellow-white calcareous deposits forming long, straight lines indicating pre-historic water levels. These ancient shorelines are strangely tilted, although they must have once been level. The surrounding area is covered with millions of fossilized sea-shells. It appears, from the tilting of the ancient shoreline striations and the abundant presence of fossilized oceanic flora and fauna, that a tremendous uplift of land has taken place sometime in the ancient past. Geologists estimate that this happened roughly around 100 million years ago; but the data gathered from archeological and astronomical investigations indicate a different story.

Puma Punku stones

Photo courtesy of South American Pictures/Tony Morrison Oceanic creatures live to this day in abundance in the salty waters of the lake, indicating that it was once a part of the ocean, although it is now over 2 miles above sea-level. What appears to be the original seashore is strangely tilted, as if a tremendous geological upheaval has taken place.
The port of Tiahuanacu, called Puma Punku or "Door of the Puma," is an area filled with enormous stone blocks scattered hither and yon like matchsticks, and weighing between 100 and 150 tons! One block still in place weighs an estimated 440 tons! One wonders, how were these blocks quarried, how were they transported from the quarries to the building site, and how did the builders manage to place these huge blocks so skillfully to form this massive complex of megalithic buildings? And above all, what tremendous forces of nature tumbled these gigantic stones over one another as if they were light as driftwood? Archeologists have not answered these questions.

One of several large meticulously carved Andesite blocks at
Puma Punku. (Photo by Holly Ahlberg, used by permission.)
The blocks, many of them weighing upwards of 200 tons, are in some cases held together by large metalic, I-shaped couplers, rather than enterlocking shapes as at Sacsahuaman or at Cuzco. Others were held together by silver rivets. The system used here is reminiscent of that used in the Egyptian ruins on Elephantine Island on the Nile. Most researchers believe that the metal was actually poured into I-shaped slots carved into the rock.
Some of the docks and piers in this area are so large that hundreds of ships could dock comfortably; yet there is nothing "oceanic" near these docks except a prehistoric coastline indicated by chalky deposits of ancient salt water fossils. Lake Titicaca, languishing miles away, is nearly 100 feet lower than the ruined docks. What tremendous geological upheaval has occurred in the last thousand years that could have tumbled these huge stones while heaving the entire altiplano region 2 miles into the sky? None at that recent date. But could a sudden, violent tilt of the axis of the earth occuring some 12,000 years ago have been responsible? Geologist will not admit to such an occurance in spite of the evidence (see my Geology and/or Paleontology page).

THE CEREMONIAL CENTER
A quarter of a mile or so northeast of the port area are the temples, pyramids and palaces of the main city of Tiahuanacu. (Recent excavation is turning up evidence of a population of 30,000 to 40,000 people, although this may represent a much later influx of settlers.) The main part of the city consists of several buildings. The placement and proximity of several of them--the Acapana Pyramid, the Kalasasaya, the semi-Subterranean Temple, and a so-called "Palace"--indicate that they are components of a ceremonial center.
sitemap Map of the ceremonial center of Tiahuanacu. (Map redrawn from site report by Wendell C. Bennett.)
The Acapana Pyramid is a step pyramid (found in Egypt as well as Mesoamerica), and is aligned perfectly with the cardinal directions. It originally had a covering of smooth Andesite stone, but 90% of that has disappeared. The ruinous state of the pyramid is due to its being used as a stone quarry for later buildings at La Paz. Its interior is honeycombed with shafts in a complicated grid pattern, which incorporates a system of weirs used to direct water from a tank on top, going through a series of levels, and finally ending up in a stone canal surrounding the pyramid. The function of this hydraulic system is baffling to archeologists, who have drummed up a number of theoretical explanations.

Found Here: http://www.atlantisquest.com/prehistcity.html