Archaeologists discover ancient Michael Jackson bust, finally proving that his videos were, in fact, reenactments of history.

A bust of Egyptian Michael Jackson was discovered in the corner of the Field Museum’s Ancient Egypt exhibit earlier this week. Finally proving that his music videos were a window into Michael Jackson’s ability to travel through time.

Michael’s video for “Remember the Time” chronicles his infiltration of the Pharroh Nakh Ra’s palace and his budding relationship with the Pharroh’s wife, Kimiri.

A bust of Egyptian Michael Jackson was discovered in the corner of the Field Museum’s Ancient Egypt exhibit earlier this week. Finally proving that his music videos were a window into Michael Jackson’s ability to travel through time.

Michael in full Egyptian regalia. Complete with missing nose.

Michael’s video for “Remember the Time” chronicles his infiltration of the Pharroh Nakh Ra’s palace and his budding relationship with the Pharroh’s wife, Kimiri.

As you can see, this was further on in his career. Michael loved traveling through time. He took down an entire crime syndicate in his video “The Girl is Mine” and he gave the flappers something to dance about and nearly started a literal Zoot Suit Riot in “Smooth Criminal”.

I am very eager to find out what else he did and I implore all wealthy readers of this site to help fund these scientists to find out what other events in our HIStory were affected by the time-traveling King of Pop.

Found Here: http://www.octavarius.com

Illuminati Card Game created in 1995

Two cards from the Illuminati Card Game created in 1995 ... several years before 9/11

In 1990, role-playing inventor, Steve Jackson, was planning his newest game, which he would ultimately call the Illuminati -- New World Order Game, or "INWO" for short.

As you can see from the picture above, one card shows the first Twin Towers of the World Trade Center being hit by "Terrorists" at the distance it actually occured during 9/11 and another one shows the Pentagon in fire at is center, the rest being intact. As we know a plane allegedly flew into a section of the Pentagon and nearly burned that section completely. However, the rest of the Pentagon was undamaged to the point where its functions continued unimpeded.

Of course this could be a coïncidence. But strangely his company has been visited by the secret service on March 1 1990 as reported on their site sjgames vs. the Secret Service: "A large amount of equipment was seized, including four computers, two laser printers, some loose hard disks and a great deal of assorted hardware. One of the computers was the one running the Illuminati BBS".

My hypothesis are these:

1°) It's pure coïncidence as said already

2°) Steve Jackson met insiders like Brzezinski, the right hand of Rockefeller or Aaron Russo who revealed that Nick Rockefeller had announced him some big event and that after that event the US would invade Irak - nevertheless it's must be somebody else than Russo since Nick Rockfeller never told him precisely it would be the WTC or the Pentagon !

3°) Steve Jackson is himself a Secret Agent who has fabricated a covert to create an apparent opposition to the system by controlling an organization called "Electronic Frontier Foundation" which fights for privacy today.

Second hypothesis may be the most plausible but I don't discard the third one when I know that there is a very strong habit from the secret service to fabricate and/or control fake opposition (this is the basics of Hegelian Dialectic used for propaganda) see the case of Gloria Steinem, the iconic figure of Feminist Party who had been a CIA agent and whose magazine has been funded by them (if you want to know why Nick Rockfeller told Aaron Russo the two fundamental reasons).

There is no way I can choose between the three and you ? Maybe you have other hypothesis (Steve Jackson met a psychic for example ... like me :) once)

Found Here: http://hubpages.com/hub/Illuminati_Game_Cards

In 1990 an Illuminati Card Game was invented by Steven Jackson. The 'game' he had created ruffled quite a few feathers as he was promptly visited by the Secret Service who tried to shut him down and prevent the cards from being released. You can read Jacksons own account of the raid Here.

Apparrently Jackson must have either had some type of insider knowledge or the foresight of Nostrodumus because the game he created has turned out to be very close to the real thing. Several of the cards depict events in modern history that either have, or soon will occurr, including the attacks on the world trade center and pentagon.

Found Here: http://911truth.ozempire.com/illuminati.html

Oil spill card of Illuminati Card Game proves that - The entire oil spill incident was planned to bring down America.

Likewise another card, issued well before 9-11, showed the twin towers being taken down is one of the most shocking of all, especially in light of the fact that this game first hit the specialty stores in 1995! How in the world did Steve Jackson know that the Twin Towers of the World Trade Center were going to be attacked? In fact, this card accurately depicted the World Trade Center attack in great detail. This card accurately depicts several facts of 9/11 — on cards created all the way back in 1995! The picture accurately depicts:

* That one tower was going to be struck first; this picture accurately depicts the moments between the first tower strike and the second.

* The card accurately depicts that the place of impact is some distance from the top of the twin towers. The plane hit in this approximate area of the first tower. How in the world could Steve Jackson know this fact?

Found Here: http://www.ufo-blogger.com/2010/05/illuminati-card-game-bp-oil-spill.html

The London hammer - a tool older than history

A petrified hammer was found in Cretaceous rocks

Every once in a while archaeologists (and sometimes regular Joes) make some remarkable discoveries. Stunned, they are often unable to explain what it is they’ve found, how it came into existence, or ascertain its value. This is a comprehensive list of such artifacts; artifacts that many believe should have never existed given the discerned age/period of their creation.

In June 1936 (or 1934 according to some accounts), Max Hahn and his wife Emma were on a walk when they noticed a rock with wood protruding from its core. They decided to take the oddity home and later cracked it open with a hammer and a chisel. Ironically, what they found within seemed to be an archaic hammer of sorts. A team of archaeologists checked it, and as it turns out, the rock encasing the hammer was dated back more than 400 million year; the hammer itself turned out to be more than 500 million years old. Additionally, a section of the handle has begun the transformation to coal. Creationists, of course, were all over this. The hammer’s head, made of more than 96% iron, is far more pure than anything nature could have achieved without an assist from modern technology.

Found Here: http://www.zmescience.com/most-amazing-unexplained-artifacts

An iron hammer with wooden handle was found embedded in rock in Cretaceous sediments (or Ordovician, by some accounts) near London, Texas. The enclosing rock contains Lower Cretaceous fossils.

While this has fallen out of favor with most creation scientists there is one aspect of this hammer that suggest that this could still be Pre-Flood. Those who insist that this hammer is recent have yet to offer an explanation for it. The iron head of the hammer has a coating of FeO which needs two atmospheres of pressure to form. There may be another answer other than the hammer being pre-Flood but nothing has been proposed as of yet.

Found Here: http://creationwiki.org/A_petrified_hammer_was_found_in_Cretaceous_rocks

Cai Guo Qiang -Transient Rainbow 2002

Transient Rainbow, New York, USA 2002.

«Cai Guoqiang has been at the pyrotechnics game for over a decade now; each instance however seems to outdo the previous one in terms of geopolitical over-determination. Were the gathered heads of state, two weeks after the 9 11 attacks, prepared for such a round of joyous explosions at the 2001 APEC Summit in Shanghai? Did New Yorkers realise what was happening when, during the MOMA Queens opening in 2002, he exploded a Transient Rainbow over the East River?

Surely the Washingtonians, watching the barges circle and fire pretty coloured rockets in precisely alternating splendor, were unprepared for what followed. The FAA had been warned; the Delta and US Airways 737s preparing to touch down on the Reagan National tarmac were just feet above the crests of these dainty explosions, in some perverse twist on the bombs other, similarly marked, similarly silver American planes had grown accustomed to dropping on riverside cities elsewhere in the world. Or was the irony of this fluvial hijacking - the Potomac brought into the service of the PRC - not apparent to the huddled masses?»

Found Here: http://www.orbit.zkm.de/?q=node/38

The Echo Balloon Satellite (Satelloon)

From about 1956 until 1964, US aeronautics engineers and rocket scientists at the Langley Research Center developed a series of spherical satellite balloons called, awesomely enough, satelloons. Dubbed Project Echo, the 100-foot diameter aluminumized balloons were one of the inaugural projects for NASA, which was established in 1958.

In his 1995 history of NASA Langley, Space Revolution, Dr. James Hansen wrote:

The Echo balloon was perhaps the most beautiful object ever to be put into space. The big and brilliant sphere had a 31,416-square foot surface of Mylar plastic covered smoothly with a mere 4 pounds of vapor-deposited aluminum. All told, counting 30 pounds of inflating chemicals and two 11-ounce, 3/8-inch-thick radio tracking beacons (packed with 70 solar cells and 5 storage batteries), the sphere weighed only 132 pounds.

For those enamored with its aesthetics, folding the beautiful balloon into its small container for packing into the nose cone of a Thor-Delta rocket was somewhat like folding a large Rembrandt canvas into a tiny square and taking it home from an art sale in one's wallet.

The satelloons were made from a then-new duPont plastic film called Mylar, which was micro-coated with aluminum using a then-new vacuum vaporizing technique developed by Reynolds Aluminum Co. Originally conceived as research tools to collect data on the density of the upper atmosphere, the reflective satelloons also served as proofs of concept for space-based commmunications systems.

The original research proposal put forward by a Langley engineer named William J. O'Sullivan called for a 20-inch balloon, which was increased to 30 inches. These "Sub Satellites" were followed by a 12-foot diameter Beacon satelloon, the size of which was determined, not by any scientific requirements, but by the ceiling height in the Langley model fabrication room.

Found Here: http://greg.org/archive/2007/


The Echo satellites were NASA's first passive communications satellite experiment. Each spacecraft was designed as a metallized balloon satellite acting as a passive reflector of microwave signals. Communication signals were bounced off of it from one point on Earth to another.

Found Here: http://en.wikipedia.org/wiki/Echo_satellite

Yuri Denisyuk 1927 - 2006

Yuri Nikolaevich Denisyuk (Russian: Юрий Николаевич Денисюк; July 27, 1927, Sochi – May 14, 2006, Saint Petersburg) was a Soviet physicist known for his contribution to holography, in particular for the so-called "Denisyuk hologram".

PART ONE. ULTIMATE COLOUR DENISYUK TECHNIQUE.

After the discovery of white-light holography by Professor Yuri Denisyuk (St.Petersburg, Russia) in the 1960s and the coming of lasers, museum objects and artifacts became the first subjects of holographic recording. Famous museums throughout the world provided artifacts to record as holograms, which reconstruct three-dimensional images of objects with high resolution and maximum accuracy. The principle of Denisyuk holography is rather simple to understand.

Denisyuk hologram recording method Denisyuk hologram reconstruction

The object is exposed by laser light that passes through transparent holographic plate.

The developed plate is illuminated by a white spot light. A viewer sees the object as an holographic image behind the plate.

Working at the State Optical S.I. Vavilov Institute in Leningrad (now St.Petersburg), Prof. Denisyuk developed a technique to use He/Ne and Kr lasers (red band of spectra) and his own high definition photomaterials, sensitized to red light, to create a gallery of high quality holograms of objects from the Hermitage, including large sizes (up to 80 x 120 cm).

Head of the SOI holographic laboratory in 1970s, Prof. Yu.N.Denisyuk (Leningrad, USSR)

Found Here: http://www.holography.co.uk/RPS/Gentet.html

The ACROS Fukuoka

In Fukuoka City in Japan, they have an amazing building called “ACROS Fukuoka” with two very distinct sides: one side looks like a conventional office building with glass walls, but on the other side there is a huge terraced roof that merges with a park. The garden terraces, which reach up to about 60 meters above the ground, contain some 35,000 plants representing 76 species. A huge semicircular atrium and the triangular lobby provide contrast to the greenery, in this space is a symphony hall, offices and shops.

The building was constructed on the last remaining green space in the city center, so the architects, Emilio Ambasz & Associates, created a design to preserve the green space as much as possible, while still fitting in a large office building. In addition, a green roof reduces the energy consumption of a building, because it keeps the temperature inside more constant and comfortable. Green roofs also capture rainwater runoff, and support the life of insects and birds.
The building is a success in Japan, its terraced south facade utilized by many in the area for exercise and rest, affording views of the city and the harbor beyond. Unfortunately it has received little press overseas, especially in the United States.

Found Here: http://www.metaefficient.com/architecture-and-building/amazing-green-building-the-acros-fukuoka.html

Andrew Wyeth

Andrew Newell Wyeth (surname pronounced /ˈwаɪɛθ/^[1]) (July 12, 1917 – January 16, 2009)^[2] was a visual artist, primarily a realist painter, working predominantly in a regionalistU.S. artists of the middle 20th century and was sometimes referred to as the "Painter of the People," due to his work's popularity with the American public. style. He was one of the best-known

In his art, Wyeth's favorite subjects were the land and people around him, both in his hometown of Chadds Ford, Pennsylvania, and at his summer home in Cushing, Maine.

One of the most well-known images in 20th-century American art is his painting, Christina's World, currently in the collection of the Museum of Modern Art in New York City.

Wyeth's art has long been controversial. As a representational artist, Wyeth's paintings have sharply contrasted with abstraction, which gained currency in American art in the middle of the 20th century.

Museum exhibitions of Wyeth's paintings have set attendance records, but many art critics have been critical of his work. Peter Schjeldahl, art critic for The Village Voice, derided his paintings as "Formulaic stuff, not very effective even as illustrational 'realism.' "^[10] Common criticisms are that Wyeth's art verges on illustration and that his rural subject matter is sentimental.

Admirers of Wyeth's art believe that his paintings, in addition to sometimes displaying overt beauty, contain strong emotional currents, symbolic content, and underlying abstraction. Most observers of his art agree that he is skilled at handling the media of egg tempera (which uses egg yolk as its medium) and watercolor. Wyeth avoided using traditional oil paints. His use of light and shadow let the subjects illuminate the canvas. His paintings and titles suggest sound, as is implied in many paintings, including Distant Thunder (1961) and Spring Fed (1967).^[11]

A close friend and student of Wyeth, Bo Bartlett, commented on Wyeth’s reaction to criticism during an interview with Brian Sherwin in 2008: "People only make you swerve. I won’t show anybody anything I’m working on. If they hate it, it’s a bad thing, and if they like it, it’s a bad thing. An artist has to be ingrown to be any good."^[12]

Fossilized Algae

Stromatolites (from Greek στρώμα, strōma, mattress, bed, stratum, and λιθος, lithos, rock) are layered accretionary structures formed in shallow water by the trapping, binding and cementation of sedimentary grains by biofilms of microorganisms, especially cyanobacteria (commonly known as blue-green algae). They are the oldest living organisms on the planet, and are believed to be the first living organisms on Earth.^[1]

Earth’s oldest fossils are the stromatolites consisting of rock built from layer upon layer of sediment and other precipitants.^[3] Based on studies of now-rare (but living) stromatolites (specifically, certain blue-green bacteria), the growth of fossil stromatolitic structures was biogenetically mediated by mats of microorganisms through their entrapment of sediments. However, abiotic mechanisms for stromatolitic growth are also known, leading to a decades-long and sometimes-contentious scientific debate regarding biogenesis of certain formations, especially those from the lower to middle Archaean eon.

It is most widely accepted that stromatolites from the late Archaean and through the middle Proterozoic eon were mostly formed by massive colonies of cyanobacteria (formerly known as blue-green "algae"), and that the oxygen byproduct of their photosynthetic metabolism first resulted in earth’s massive banded iron formations and subsequently oxygenated earth’s atmosphere.

Even though it is extremely rare, microstructures resembling cells are sometimes found within stromatolites; but these are also the source of scientific contention. The Gunflint Chert contains abundant microfossils widely accepted as a diverse consortium of 2.0 Ga microbes.^[4]

In contrast, putative fossil cyanobacteria cells from the 3.4 Ga Warrawoona Group in Western Australia are in dispute since abiotic processes cannot be ruled out.^[5] Confirmation of the Warrawoona microstructures as cyanobacteria would profoundly impact our understanding of when and how early life diversified, pushing important evolutionary milestones further back in time (reference). The continued study of these oldest fossils is paramount to calibrate complementary molecular phylogenetics models.

Cyanobacteria Relationship to Earth's History
The biochemical capacity to use water as the source for electrons in photosynthesis evolved once, in a common ancestor of extant cyanobacteria. The geologic record indicates that this transforming event took place early in our planet's history, at least 2450-2320 million years ago (mya), and probably much earlier. Geobiological interpretation of Archean (>2500 mya) sedimentary rocks remains a challenge; available evidence indicates that life existed 3500 mya, but the question of when oxygenic photosynthesis evolved continues to engender debate and research. A clear paleontological window on cyanobacterial evolution opened about 2000 mya, revealing an already diverse biota of blue-greens. Cyanobacteria remained principal primary producers throughout the Proterozoic Eon (2500-543 mya), in part because the redox structure of the oceans favored photautotrophs capable of nitrogen fixation. Green algae joined blue-greens as major primary producers on continental shelves near the end of the Proterozoic, but only with the Mesozoic (251-65 mya) radiations of dinoflagellates, coccolithophorids, and diatoms did primary production in marine shelf waters take modern form. The most common cyanobacterial structures in the fossil record include stromatolites and oncolites. Cyanobacteria remain critical to marine ecosystems as primary producers in oceanic gyres, as agents of biological nitrogen fixation, and, in modified form, as the plastids of marine algae.^[10]

Voyager Golden Record

The Voyager Golden Record is a phonograph record included in the two Voyager spacecraftextraterrestrial life form, or far future humans, that may find it. The Voyager spacecrafts are not heading towards any particular star, but in about 40,000 years Voyager 1 will be within 1.6 light years of the star AC+79 3888 in the Ophiuchus constellation.^[1] launched in 1977. It contains sounds and images selected to portray the diversity of life and culture on Earth. It is intended for any intelligent

As the probes are extremely small compared to the vastness of interstellar space, it is extraordinarily unlikely that they will ever be accidentally encountered. If they are ever found by an alien species, it will most likely be far in the future, and thus the record is best seen as a time capsule or a symbolic statement rather than an attempt to communicate with extraterrestrial life.

Found Here: http://en.wikipedia.org/wiki/Voyager_Golden_Record

The Citroën Karin, 1980

Karin - a reverie
Having no new models to reveal at the 1980 Paris Salon, Citroën stylist Trevor Fiore was given the go ahead to build a model (not a driveable car) for display.

The result was the trapezoidal Karin, clearly inspired by Michel Harmand's design for a GS Coupé.

A three seater with the driver being seated centrally and ahead of the two passengers, this layout pre-empted that of the McLaren F1 of 1992.

Headlamp treatment was reminiscent of that of the SM.

Found Here: http://www.citroenet.org.uk/prototypes/karin/karin.html

The Citroën Karin was never more than a non-drivable model, but what a wonderful wedge it was. The center-mounted steering pod is especially appealing, with its amphitheater HUD surrounded by giant Walkmen-like buttons.

Found Here: http://gadgets.boingboing.net/2009/04/28/photo-citroen-karin.html